The start of the song grabs my attention because of the musicality, nice! It evolves into a hands in the air track with good vibes.

Mix needs a bit more high frequencies, it's needs that extra 'sparkle'.

Arrangement is fine, it kept me listening until the end. Keep doing what you are doing, it sounds great!

Thanks manducator! The basspad thing is what you're talking about?

Yeah, it's the bass sound.

I like the hihats right in the beginning of the track, I guess it's because of the reverb, the track gives a feeling of depth/space immediately.

In fact everything sounds crystal clear, the mixing is awesome.

The arrangement is as it should be; the diversion between percusiion, chords, lead keeps the track interesting.

This track is thought out and mixed so well, nice 'warm' bassline. I just don't know what to write about improving because it's perfect as it is.

Tracks like these are my reference tracks for mixing/mastering, the perfect sound I'm aiming for. What a great job!

I like 'iBall'.

Funny, how vinyl noise always catches my ears and my attention.

I like the build up at the beginning but maybe you should add something between 1:00 and the part where the kick comes in.

There's another long break starting @ 2:40 and I think that's great, nothing missing, building tension.

The drums/percussion sounds mellow and suits the song very well, this is chillout, not a dancefloor filler.

Nice work!!

Thank you very much for your comments, Elixir, I appreciate your opinion, but I doubth that the high end is non existent. 



Maybe I should create a bell filter around 3-4 kHz?

Of course I will!!

Width is about how much left and right an instrument is panned (or in the middle). Sounds easy but the possibilities are countless.

Panning a sound left and a very short delay (lets say under 15 ms) panned to the right, gives the impression of wide sounds. Read something about the haas effect:
http://edmproduction.wikia.com/wiki/Haas_Effect

Listen with headphones:
https://www.youtube.com/watch?v=-PFgCrvwByo

Chorus, phasers, flangers and delays are all tools that give you a chance to play with stereospreading.

A stereo reverb on a mono sound can give a nice stereospread too, although the source stays mono.

About depth; volume faders are your friends; volume lower is futher away in space, louder is more in your face.

Reverb plays a big part in perception; more reverb, it will sound further away.

Make use of the proximity effect:
https://en.wikipedia.org/wiki/Proximity_effect_(audio)

When you roll off lower and higher frequencies, you create the effect that something is further away, add those frequencies and it feels like something is closer to you.

Here's another video about depth:
https://www.youtube.com/watch?v=7MdE1adTCu0&list=RD-PFgCrvwByo&index=5

When you automate all these effects, you can create movement through space.