My personality type is INTJ. I am also incredibly analytical about a lot of things including music, relationships, human behavior, life, etc... I'm way to over reliant on logic and don't trust my emotions very much.

The good news for you is that music is literally applied mathematics. Analytical minds like me and you are able to use it as an advantage because we can hear patterns in music that other overly creative minds cannot. I have a friend who is a decent musician but she isn't able to conceive the relation between music and mathematics. People like Protoculture, Zedd, And BT all show high evidence that they are able to analyze music to an incredible extent.

Zedd mentioned that when he hears a song he likes the first thing he does is listens to it and tries to "analyze it" to figure out what it is he likes about it. Protoculture has an album out named "Music is more than Mathematics." BT also claims that mathematics is a huge inspiration for him.

All the music that I listen to I hear in numbers. You may not believe me but it's been this way ever since I studied music theory and was able to form the relationship between music and numbers. Even music arrangement is often looked at in even numbers of 2,4,8,16,32... but mostly 8 and 16. Musical form contains patterns in letter notation like strophic, binary, and tertiary form. When I write my themes I very consciously decide whether I want the song to be based off of only an 8 bar A section or also include a B section.

Just check out all the patterns you can find within music...

 https://www.youtube.com/watch?v=QTE_W5SMP0Q

- This song for example contains both an A section and a B section. The B section only occurs at 2:25 until like 3:00. Therefore it's in binary form
- The chord progression in Theme A looks something I hear as v,VI,VII,i (5-6-7-8) The chord progression in Theme B looks something that I hear as VI,iv,i,III  with another variation as VI,iv,i,VII
- Theme A's bass is literally a 2 bar loop. The background vocal chop is a 2 bar loop. The drums are practically a 2 beat loop. (Kic snare)
-The structure of the track follows a very linear intro-verse-prechorus-chorus-verse-prechorus-chorus-bridge-chorus-outro form.
- The arrangement elements can be analyzed as Bass, Kick, Snare, Clap, Hi-hats,  Harmony, Lead, FX/Atmosphere, Transitions etc... (A lot of tracks can be analyzed like this actually)
-

There are so many patterns in music that you can find and utilize in your own music. Sound design, arrangement, mixing, mastering, composition, structure, can ALL be analyzed. Notes can be seen as numbers and chord progression as roman numerals. Structure can be seen as multiples of even numbers and composition can be divided as melodies, harmonies, themes, motifs, and countermelodies. Don't see an analytical mind as a limitation because in music it is a VERY strong trait. I would even go as far as to say that music is the perfect blend between symmetry and variation. Too much symmetry and the listener will get bored but to much variation and you create chaos.

Ironically, I scored 54% right brain and and 46% left brain. Not to surprising considering that music is the PERFECT mix of both logic and creativity.

Still mommy af. The only thing that sounded off really was at 1:10 where the snare sounded far to bassy. Either that or it's just a second kick drum I'm hearing and there is no snare. In that case bring me my snare baby!

Also... I have to jack that sound at 1:25. Been hearing that arpeggiated sound for awhile in a lot of tracks. Really need to learn how to make it at this point.

Musically the track seems on point. Mixing seems pretty solid despite some pretty obvious elements that I'm sure you're already aware of. Arrangement is catchy.

Basically get signed to monster cat already! 

I don't really think it's practical to use the word heavy. It's a word that hardly even has a definition nowadays due to the subjective nature of language. Heavy music can be pretty broad.

Those songs may seem heavy to you but this is probably the heaviest I can actually enjoy.

https://www.youtube.com/watch?v=ilBOMbvICuc

I'm not much for screams but as long as it's mixed with singing and something melodic I can really get into stuff. For some people heavy is chugging on a low string in drop B. Nowadays though you have guys kinda redefining the direction of heavy metal by using 8 string guitars. No longer any need to drop tune guitars with an extra 2 bass strings.

Then there's vocals and drums... Honestly... you can blast beat to hell and scream the entire track and for some people that can be heavy. Not really very appealing to me but since no one else on this forum seems to have taken an interest in your post I might as well try to get something going. We need some more rock guys over here.

It would help if you key matched them. The keys are colliding and clashing in a way that is unpleasant to my ear. Otherwise I really like the idea.

An algorithmic synth that randomly generates sounds based on what parameters you set beforehand. Like minecraft, but for sound design.

This already exists in massive's randomizer.

Regarding talent I remember reading a book when I was 16 called the talent code by Daniel coyle. The entire theme of the book was regarding whether talent existed or whether it was related to other factors. He examined world class musicians, athletes, chess players, and what he found was a very specific set of variables that led to them all achieving their amount of skill.

I cant remember it directly but he found that one of the big differences was deliberate practice for at least 3 hours a day over the course of 10 years. That was enough to reach the 10,000 hours. He made sure to differentiate between normal practice and deliberate practice.

He also found something about the environment of these experts. Something along the lines of a poor environment being better than a good environment because it motivated them more to practice to escape their poor environments.

I cant remember it very clearly and I don't wanna say something that Daniel coyle didn't say but it was an interesting read.

I dont even remember if the author was Daniel coyle but the book name is accurat.

I like the Final Fantasy and Kingdom Hearts series, so that's where my name came from. However, its meaning has become more personal once I started producing more seriously.

Just thought I'd add that Yoko Shimomura (Kingdom Hearts) and Nobuo Uematsu (Final Fantasy) are some of the best composers in the world.