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Messages - attila

Pages: 1 ... 5 6 [7] 8
91
Just a nice thunky tom sample with a crummy, jack u style percussive sound over the top as a transient

92
Mixing/Mastering / Re: Setting Sub Levels
« on: June 15, 2016, 07:11:45 am »
On my masters I aim to have my sub hit roughly between -12 and -9 fwiw

93
Hah yeah don't do that yet! Later on you might want to cut stuff above 16-20k depending on the mix.

94
Mixing/Mastering / Re: Vocal Mixing Help
« on: June 12, 2016, 03:33:35 am »
Vocals are always a struggle. Over time I've found that less is almost always more with them, and if you find yourself struggling after a certain point, it's probably the wrong performance/vocalist.

95
I think he means how the bass moves around and almost has it's own melody instead of just holding down the rhythm.

96
Finished Tracks / Re: something good - my new track
« on: June 12, 2016, 03:27:47 am »
There's no bass

97
Needs treble. Almost sounds like the mix was lo passed at like 3k.

I'd tighten the kick up to give the track some breathing space.

98
You Might Like... / Re: Must hear Albums?
« on: June 12, 2016, 02:29:23 am »
Mr Bungle-California
Porcupine Tree-In Absentia
Opeth-Blackwater Park
Shining-Blackjazz (some of the most aggressive production I've ever heard)

Meh solid start. I don't listen to a crazy amount of electronic stuff lately. Hard to recommend new albums with the music industry being so single-focused.

99
Finished Tracks / Re: Future Bass Vocal Chop Orgy :D
« on: June 12, 2016, 02:16:30 am »
What sticks out immediately is that the drums are drowned out severely. It feels like the drums are thrown in around the music instead of being the backbone of the track. I'd really try to ground the song rhythmically first. There's some cool ideas with how the chops are arranged, but they dont really have the space to be as effective as they could. I'm craving more mids too, it's a lot of bass and treble right now.

100
There's a well trained classical pianist who does work with CERN....


Well, I´m happy to read that any kid from an African country can make a living by serving tables while working hard on making it big in the music business...

You do realize Africa isn't just one giant desert with impoverished villages right? There are plenty of huge music producers in Africa that started out just like anyone in the US or Europe. Like this guy (https://en.wikipedia.org/wiki/Don_Jazzy) who moved to the UK when he was 18 and worked in restaurants while building his music career. Dude has a net worth bigger than almost any producer any of us look up to.

Winners look for opportunities, settlers find obstacles.

That's fine. but I bet that person was also focused on music exclusively.

you're also focusing all of your efforts on to one person, and not the entirely of the country and the entirely of every one's interest.

People might have other considerations as to the life of a musician, which isn't easy by any means. They also might have talents that lie else where.

But to blindly give advice based on your situation, and not understanding the person who is asking the question, is just bad teaching. and poor advice to give.

If you're not with out empathy, then i don't see how you(general) can be in any sort of position to teach.

Tailor the advice best suited to the individual, and be a great teacher. That takes much more skill, and we can use a lot more of it.

I'm not writing blindly, I'm giving my experience because my story started much the same as the OP's. Turkish family wanted me to become a doctor or lawyer and thought music was a waste of time (starting about 15 years ago). I kept working on stuff through school whenever I could and left the country when I was 18. Traveled around, hopped around a bunch of jobs and landed where I am now. Dropped out of music school a few years early because the program director told me there wasn't much left for me to learn and production was already taking up the bulk of my time. Now that music's starting to bring in money and everything's working, my family's happy I didn't listen to them.

To the OP-your parents don't think with their heads, they think with their hearts. They want your life to be stable so they're not stressed out all the time, it's gut-wrenching to see your child struggle etc... The problem is, their ideas don't jive with yours because they lived a life of logic instead of passion, and people who've dedicated themselves to a life of logic can't wrap their heads around someone living a life of passion. It's not unfounded-pursuing music, logically, is a really bad idea. You'll, statistically, almost certainly never get anywhere, and just set yourself back when you accept the alternate career path they wanted you to start in the first place. The good news is, the vast majority of musicians are absolute trash and lazy to no end. So if you have any streak of originality and a good work ethic, it's completely doable if you bust your ass.

101

Well, I´m happy to read that any kid from an African country can make a living by serving tables while working hard on making it big in the music business...

You do realize Africa isn't just one giant desert with impoverished villages right? There are plenty of huge music producers in Africa that started out just like anyone in the US or Europe. Like this guy (https://en.wikipedia.org/wiki/Don_Jazzy) who moved to the UK when he was 18 and worked in restaurants while building his music career. Dude has a net worth bigger than almost any producer any of us look up to.

Winners look for opportunities, settlers find obstacles.

102
They have for a good while. Especially with the capabilities of quality IR's...id argue digital has surpassed analogue. Unless your track relies on the unpredictability afforded by physical electronics.

103
I feel like writing things unfit for this forum.  I don´t get how some are so narrow-minded, that they think that everybody has equal opportunities as themselves.
I sincerely hope that the music works out for you, atilla.  If not I really hope you will not be stuck serving tables at 40, with no plan b, just because you did not get the "full time" results you so boldly proclaim.

Equal opportunities? Its a serving job not an inheritance. Its one of the easiest, most menial jobs in the world that's readily available.

I can't believe how anyone here is bashing commitment to what this forums about. No producer put in "one good hour" a day and got anywhere. And don't even try to proclaim the merits of a plan b. If you're passionate, go all in and make it happen. If you have a backup plan, save yourself time and stop now-it'll become your plan a when life gets hard.

Your situation doesn't matter. As long as you're old enough to work and have a passport, nothings holding you back from moving and starting your own life. I can see a lot of white knight forums dads coming out to talk about practicality and "that's crazy, think about your future" but its all nonsense. This is one of the hardest industries in the world. If you're not committed and putting in the work, admit you're a hobbyist and stop telling new producers what they can't achieve.

104
Ew I'm surprised how many people here are suggesting focusing on school if music's what you're into. I dropped out to focus on music and I feel like my lifes finally in my hands. I make ~$30/hour serving at a restaurant two blocks from my house a couple days a week, which is enough to afford a nice loft downtown while leaving at least four days a week off to work exclusively on music. Money's easy, schools overrated unless you're trying to be a doctor or lawyer or something. Just remember, part time effort bears part time results.

105
I always say, it takes me one session to get a song to 80%. Its the other 20% that takes 100 hours.

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