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Messages - vinceasot

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106
i can point you in the right direction, you have to learn from people who are better than you

james dymond has uplifting trance tutorials

107
Inspiration/Creativity/Motivation / Re: Knowledge Resources
« on: July 11, 2016, 11:20:03 am »
theres a lot of bullshit on the internet but theres also a lot of good material

ADSR has helped me a lot

also theres magazines like computer music or future sound, sound on sound for inspiration

108
Thanks for the reply.
I have been learning music over 2 years and a half at this point, and i would say i am now fine with overall flow, progression, and okay sound (even though i need to be better as life long term for sure), but as i compare my music to commercial songs out there (i do k-pop music btw), i definitely see how overall tone they deliver is  'more fit to the genre and the typical market' and ' typical sounds that many listeners have heard so they won't bother' .
And i really think i need to be around that 'objectivity' especially i want to do 'pop music' or 'k-pop'. I know how most of EDM producers want to sound 'differenet' so they are kinda against me doing this 'copying' (even though i still think they still need some objectivity')
I try to begin with copying the exact same drum tone and then instrument overall referencing simple instrumental musics out there first no matter how long takes. Do u think this is what i need for now to upgrade my sound to the commercial level?


if you want to make commercial music, then you should study radio/pop history etc and look at how they were created, which you are doing already i think, maybe try study the mind of red one, the producer of lady gaga, etc  pop follows a structure like verse bridge chorus, etc edm isnt too different in some cases

yes we have to sound different because a lot of stuff has been repeated, but new sounds need to be brought to the table

its normal to copy and imitate because everyone looks each each other but no plagarism

you are on the right path but sooner or later you will want to make an identity for yourself to stand out from the others


109
yes its very good practice to sharpen the blade but doesn't add or stimulate creativity if you copy too much

sound design sound banks are for learning and quick inspiration/further processing needed
but you have to put in extra and push boundaries to stand out

110
Haha dammit I keep hearing so many people praise Spire, but when I open it up and see the layout my brain just turns off. It reminds me of FabFilter's synth...which I can't remember the name of right now. Serum just makes me smile; little lights and graphics bouncing everywhere, fx rack like Guitar Rig-it feels like a synth command center haha.

yeah the GUI of serum is very modern and attractive, sometimes i think that can be a difference in your mood
I think i'll have a go on serum soon

111
I've found that Serum is the best for creating simple bass shots. I used Spire before, and it was always tough to get that "grit".

A good way to get that grit is to use aggressive distortion.

ahh to get grit in spire, you have to use the shaper FX, tube etc, but you have to make good sound first before applying FX, yeah its the distortion FX in synths to get grit, i think massive, serum and spire are good for bass

Ye the shaper in Spire isn't as good as Serum's IMO. Spire is still amazing though!

yeah man, i've been hooked on spire recently, the sound is rich and it has a virus TI filter, drool
i've yet to invest time in serum though, maybe later haha cause it takes a lot of time to learn the synth

112
wil.i.am stole mat zo and arty's track rebound a couple of years ago

he stole everything and had chris brown sing over it lol

113
Sound Design / Re: Tutorials
« on: July 07, 2016, 01:27:37 pm »
hard to say man, it could be the mixdowns, EQ, compression, layers or even your speakers

114
I've found that Serum is the best for creating simple bass shots. I used Spire before, and it was always tough to get that "grit".

A good way to get that grit is to use aggressive distortion.

ahh to get grit in spire, you have to use the shaper FX, tube etc, but you have to make good sound first before applying FX, yeah its the distortion FX in synths to get grit, i think massive, serum and spire are good for bass

115
if you listen closely he just plays it off one note and then the 2nd note is an octave lower i think, 8 bars probably then a clap

start around by playing around with vandalism sound banks for inspiration,

do some research man, sunny lax has preset packs and has that kinda style

all those anjunabeats basses are about sound design and layering, creativity





116
Samples/Plugins/Software/Gear / Re: VST for Guitars
« on: July 05, 2016, 12:45:47 am »
whoops misread thought he had a guitar lol


117
Samples/Plugins/Software/Gear / Re: VST for Guitars
« on: July 04, 2016, 11:57:55 pm »
try guitar rig by Native instruments

118
Keep it simple, work hard and have fun


119
Composition/Arrangement/Theory / Re: Getting Out of the 8 Bar Loop
« on: July 02, 2016, 11:33:46 pm »
try add new elements after 8 bars

120
you have to believe in your work but also be critical/practical in your work, if its not good enough then its not good enough, if its great then well done but try and get a balance

and sometimes you have to be happy with what you have made or done so you can move forward



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