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Messages - Cor Sicarius

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16
WIPs / Re: DUBSTEP REMIX (CRAZY SOUND DESIGN)
« on: February 02, 2017, 08:00:02 pm »
Solid concept. I 2nd what the guy said about the 1st drop synth needing more character and sound on the synthdub lead. Definitely needs some distortion and compression to bring out the synth as well as a good eq can help!

I'd also add that getting a better snare and some high hats in there would help add to the rhythm, but that's just preference.

Good take on devil's lettuce.

17
WIPs / Re: It's a thing and it sounds like it's from the 80's
« on: February 02, 2017, 07:55:07 pm »
No idea why this didn't get any replies because this concept is lit. If you wanted to take this to something that would travel from 80s to modern I have a clip that fits this vibe a lot but in a modern way.   https://clyp.it/yn14s55o

But seriously, sick idea. Keep going with it. Change things up. Get rhyhmic with it!


18
Finished Tracks / Re: Vuto - Flashlight [Future Bass]
« on: November 29, 2016, 09:05:47 am »
Add in some drum fills and rhythmic fills and it sounds almost identical to REALLLLYYY old Unlike Pluto. I miss that Pluto :(

19
WIPs / Re: Progressive Trance/House i'd love feedback before mixdown
« on: November 29, 2016, 09:04:26 am »
My only gripe is that I feel like the song didn't go anywhere. It has the potential to be a journey, but instead it starts, flows, and ends all in similar places. Not gonna talk about the mastering as I also don't want feedback on unmastered tracks of mine! Hahahaha. Just compositionally speaking I feel like it has a lot of unused potential. Tap into that potential and unleash the beast! :) the best projects take time.

20
Really good start and it grabs you. Well done on that.

I'd suggest making the drop a bit more rhythmically interesting. The chords do a great job of that, but then it becomes too normal and it becomes predictable. Using some wide live drum samples for fills can add A LOT in a Future Bass drop, especially one that has such a wide and pulsating synth like this one.

All in all it's a good start and I hope to hear the final product!

21
WIPs / Dj Snake - The Middle (Remix)
« on: November 28, 2016, 07:56:19 pm »
Hey guys! Just throwing some finishing touches on comp and mastering for this one so I figured I'd throw it out here.

LMK what you think and any constructive feedback you may have! It's always appreciated. Still working on mastering aspects and I know what needs to be done, but if you have any tips I'll gladly take them!

https://soundcloud.com/brandon-johnson-148

Thanks! Hope you enjoy. :)

22
WIPs / The Middle - DJ Snake (Remix)
« on: October 22, 2016, 02:12:09 am »
Almost finished on the compositional side. Mixing will be a whole 'nother process.

Enjoy what I have so far :)

https://clyp.it/2luu45st

23
Composition/Arrangement/Theory / Re: Question about Remixes/Bootlegs/Edits
« on: September 04, 2016, 08:37:44 pm »
So, quick question.

If I do remix of a song, but only use the original's vocals, do you think Soundcloud would still strike it?

I haven't had anything from soundcloud yet. Youtube yes though.

I had an edit I did of Sea of Voices pulled. It was an edit so it was minimalistic so that's probably why is my guess. Just am curious as to the extent of their monitoring.

24
WIPs / Re: The Middle - DJ Snake (Future Bass Remix) (Update 1)
« on: September 04, 2016, 08:14:39 pm »
Sounds like you're making progress! Love the changes you've started to make to the chords, and the little extra notes add a LOT of character. Build snare sounds crisp, though it's unfortunately louder than your main snare so it still feels a bit too present.

I'm worried that there's a bit too much reverb on the synths in the build, as it feels very washed out. Mixwise, there's really just a bit too much going on. Here's a way to approach your mix that might be useful:

Think of the mixdown like an empty glass cup. The frequencies in your mixdown are the water. The more frequencies you add, either through adding a new sound or through processing a sound you already have, the closer that cup gets to filling up. Once you get to the top, anything extra will just spill over and be lost in the mix - our ears have trouble deciding what to focus on and it ends up sounding bad, or at least not as good as it could be. So you want to try and cut out as many excess and unnecessary frequencies as possible. Sometimes, this is as simple as turning down the gain on a particular sound. Sometimes, it's adding an EQ and removing as much as possible without compromising the integrity of the sound. Sometimes, it's panning the sounds so that you can get more room to fill your cup.

If you have trouble mixing as you add sounds or trying to mix everything against some set point like -6 dB of headroom or whatever, try a total reset mix - save a new version of your project, reset all the pan pots, disable any processing that isn't part of the sound design, and pull all the faders down to -Inf. Bring the most important element of your mix (in dance music, this almost always tends to be the kick) to your reference point of 0 dB or -6 dB or -12 dB or whatever you want it to be, then either work upwards in frequency or work in order of sonic importance and raise the volume faders/move the pan pots until you get as good a mix as possible JUST from the volume and panning.

If you compare that with your current mix, you might find that certain things are nowhere near as loud as they were before, and hopefully your mix will sound much clearer and open, even before processing. Then it's just a matter of EQing and Compressing (but only as necessary) and voila!

Keep going! Can't wait to hear the finished product.

I also layered another synth I made over the main one only for certain notes to emphasize specific note changes and harmonies. After listening more the 2 biggest things I noticed was the high hat was overall too low, lead snare had too much high and was overall to loud, and the secondary snare/hit was too quiet and could be eq'd better.

Also I don't think too much reverb is what's causing that as the only reverb I have is on the lead synth and it has a short decay. Maybe a re-eq on the freq that are in the reverb would help. I'm going to attempt a tighter mix and if I can't get one then I'll try your alternative method. Sounds interesting and like it would work!

Thank you for the kind words, feedback, and continued help. I personally appreciate it a lot!

25
Composition/Arrangement/Theory / Question about Remixes/Bootlegs/Edits
« on: September 04, 2016, 07:25:39 pm »
So, quick question.

If I do remix of a song, but only use the original's vocals, do you think Soundcloud would still strike it?

26
WIPs / The Middle - DJ Snake (Future Bass Remix) (Update 1)
« on: September 04, 2016, 04:57:21 pm »
Here's an update to the remix I'm working on.                     https://clyp.it/0ens3w2b

Problems noted: The synth during the end of the drop bar isn't mixed in well. Will work on it more once I get to a final mix standpoint. I know a bit about mixing and mastering, but it definitely isn't my strong point.

Will take in any tips/tricks/suggestions about composition or mixing openly! Will consider all points of view.

Thank you and enjoy!

27
WIPs / Re: The Middle - DJ Snake (Future Bass Remix)
« on: September 02, 2016, 11:50:03 pm »
The chords are tight and I love the flow you have into the drop! I think you have a really solid concept for a remix here! My main concerns come in the mixdown and the actual chord synths themselves.

Regarding the mix: Your hihat is too loud in the and just rattles away in a static position into my right ear, the pre-drop snare and the little bleep-bloopy arpeggio that accents the end of the measure at about 27 seconds are completely buried in the mix, and I didn't even notice you had a snare in the drop the first time I listened through the track because they're masked by the tail of the chords or the reverb on the chords. It also sounds like there's little to no sidechain ducking when the kick comes in, so it gets lost.

Regarding the synths - The chords sound like basic saw waves playing very simple Major/Minor harmonies, which makes them sound very plain and dry. Experiment with stacking octaves of notes (copy the root and the fifth of your chord and duplicate them up and down an octave or two, and experiment with the third as well) and adding in seventh chords by replacing the fifth of your chord with the minor or major seventh (whichever sounds better). You can also spread the notes out amongst two or three synthesizers playing different sounding patches relating to the same theme. Maybe your bass notes are played by that plain saw wave patch, the root notes and thirds of your chords are played by a 7 voice supersaw patch, and the fifths/sevenths are played by a "supersquare" patch layered with a saw wave an octave higher. Give them similar volume automation, and process them with some similar effects (maybe they all go through the same saturator plugin?) to give a cohesive feel and voila! a lush, epic sounding chord stack fit for a future bass anthem!

Looking forward to hearing the finished product! Good luck! :)

Took some of your advice and this is a small update. Lmk

https://clyp.it/sdl4jdou

28
WIPs / Re: My First Attempt At Dubstep
« on: September 01, 2016, 03:25:28 pm »
And that's fine! But "Composition comes first" is a distinctly different statement from "Mixing isn't important." ;) We should be encouraging people to focus, not discouraging people from learning.

Agreed. I'm partially tilted because mixing has been annoying me lately. I grew up working a board and can get a great live master with a physical board, but in production my God it's impossible for me. I've tried using many different methods and tutorials and nothing clicks with me. You could say it's preeeetttyy frustrating.

29
WIPs / Re: My First Attempt At Dubstep
« on: September 01, 2016, 02:57:49 pm »
I'm gonna have to disagree with Cor - A good mix cannot save a bad composition and a bad mix usually won't sabotage an amazing song, but the mixdown is one of the most integral parts of a song's creation. The mixdown is where you decide what elements are going to be at the forefront, which elements are going to be pushed into the background, and overall just shape the feeling of the track.

Sure, you can pay someone to mix your track - professionals do it all the time. But you also have to deal with revisions and all the money you'll be spending on the services. There are some viable arguments for and against having someone else master your music, but even then I feel as though it's something people are making out to be much more complex and mysterious than it actually is.

Learning to mix and learning to master are not difficult skills and they are essential skills to have as a music producer, so you shouldn't encourage people to disregard them. Investing in a solid pair of reference headphones (or, even better, a pair of studio monitors) will go a long way to improving the quality of your music.

Composition comes first. The rest comes later. You can have the best mastered track but if the composition is off its just a polished turd. If the composition is on point, but the mixing/mastering is off its a beautiful disaster and can be tweaked into beauty. :) That's all I'm trying to say!

30
WIPs / Re: The Middle - DJ Snake (Future Bass Remix)
« on: September 01, 2016, 01:19:02 pm »
Sounds like the saw chords are getting chopped off everytime you change chords really fast. sounds pretty good so far. not much there for me to listen to

I've already added a bit more so it sounds more full, mastered a bit more, and added some drum fills.

The effect you're talking about on the saw is just due to the attack I have on it. I have it that way on purpose, but I also think I've adjusted the attack since I posted this originally.

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