Harmor is quite unique. It can run in Live too, so I'd go that way.

There's no native noise removal in Live. This one worked for me while not ruining a bank account (that much):
https://acondigital.com/products/restoration-suite/

I wish i had. But none of my friends have interest in production/music in general.

I wish.  I feel that would send my productivity through the roof!

Wish I had one, probably would work with someone else over the interwebs create a side project all about it. make some cool characters to make it a kind of story behind it.

Damn, this forum really does need a collab section.

Well I like the stereo one better. But I think I know what's causing the difference you refer to. Usually basses aren't adviced to be that wide. Make it narrower and try to get the stereo imaging elsewhere higher.

...also if you are happy not using enhancers, don't. They get stuff wider, but if you care about mono version, they make the situation even worse for you. Monoe'd signal from enhancers tends to be kinda phasey.

I like Addictive Keys. It's not the most detailed one on the market (and it's cool to have some alternatives when you get tired of it), but that multi-mic mixer and synth-like filter section make it a nice nerdy plugin with surprisingly wide tone-shaping capabilities.

Yeah. I have to admit my listening environment is relatively bad too. Though I've tried to sort of treat it, I still have this big resonance on 117 Hz.

Problem with this is the measurement. Without proper flat speaker and proper flat measuring microphone you rely solely on your ears.

A little trick I came up with though: Take a synth, make a patch that plays just a sine (may be also a bit of first harmonics so it's easily judgable) and make sure you have no volume modulation/envelope on. Make sure on your DAW meter that all the notes go up to the exactly same volume. Then play it note by note from bottom to the top and if any note sticks out as too loud, you've found a serious resonance you should try to get rid of or at least be aware of it. You can repeat this on another set of speakers to make sure it's a room problem.

...not a proper way of measuring at all, but beter than nothing.

I recently felt a bit shitty musically. I've attended this amazing local meetup of producers. Everyone played their tracks on big badass club system, everyone talked, made some new friends. Amazing time.

...but then I went home and it got to me. There were people as much as 6 years younger that were playing totally amazing tracks. And not just preset/loops stackers. Proper producers with a real sound-design knowledge. For last few days I failed to feel ... well ... worthy. Motivation was gone for a while. It's getting better, though. Thankfully.

...but why the hell I feel this? I'm happy for those guys and for the music they are able to make. It's awesome. I hate selfish thinking and I'm not in this for fame or money. Yet these thoughts appeared and bugged me for few days. I'm confused.

Justin Bieber. I get so much hate for listening to Justin Bieber from friends or family. I've been called a faggot because of it lol. I just don't really understand. He's a good singer and plays a variety of instruments.

Well ... have to admit, his last album is actually pretty solid. (Though Ed Sheeran and Skrillex fandom might be the reason too, lol.) I'd even buy it if he'd wear a bit more clothes on that artwork photo.

I actually hate this about myself. I listen to sooo many styles. Hardcore fans of many of them hate some of the other ones. ...but I like it all. Grew up on swedish pop band I'm too ashamed to name (not Abba, though ), few german poppy DJs I'm also too ashamed to name, then gone through ATB, Armin, Tiesto, tyDi, Deadmau5, Skrillex, then got into mr.SuicideSheep music and now loving that all new wave of electronic producers a-la Ramesses B, Koan Sound, Seven Lions, Aaron Static, Sorrow, Faux Tales, Zhu lately ...but also loving D'n'B in lot of forms. Etherwood, Calyx & TeeBee, Noisia, Hybrid Minds. ...and hip hop. All from good old Em, to new people like Logic, Dylan Owen, Chiddy Bang, Rizzle Kicks, Kinetics etc... And some rock-ish and alternative stuff like Fall Out Boy, 21 Pilots, All Time Low, Oh Wonder. And some acoustic guys. Ed Sheeran, Jack Garrat, Jeremy Loops, Ryan Keen ... I'm just crazy.

It might seem like nicely "diverse" but I hate how this forces me to get bored by making just one style of music. ...so I switch them a lot. Makes it harder to market yourself to labels and such.