Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Topics - Lydian

Pages: 1 2 3 [4] 5
46
I wasn't really sure which thread to post this in so I apologize if this in the wrong place.

I'm curious what do you guys spend the most time on when producing a track?

Composition/Notes?
Mixing/Mastering?
Songwriting/Lyrics? (If you do write lyrics)
Arrangement?
Instrumentation?
Sample Selection?
Ambience/FX?

 8)

47
WIPs / Progressive House Track - Looking For Feedback
« on: February 27, 2016, 06:24:39 am »
Hey guys so I'm about 20 hours into this track. Most of that time has been spent struggling with the mix. I showed it to a friend and he suggested that the bass end was funky. My ears are way to fatigued to be able to tell so I would desperately appreciate some feedback on both the notes, and the mix.

NOTICE: 1:45-2:00 IS NOT PART OF THE ARRANGEMENT/MIX

I wrote it to get down the idea for the chorus but it's not mixed or arranged properly at all. Everything else I would appreciate if you guys could give it a listen. :)

https://clyp.it/nnqiu1a2

48
Composition/Arrangement/Theory / Creating Ambient Elements
« on: February 27, 2016, 03:44:25 am »
Hi guys. I'm just curious about how you guys like to create your ambient elements and FX in your mixes.

Do you guys grab an existing instrument, bounce it to audio and then just process the hell out of it with reverb, delay, FX, distortion and etc..?

I'm guilty of not paying enough attention to the ambient/fx side of sound design which is something that I actually need right now in the track I'm working on. Just thought I'd post a thread to look for some ideas.

49
Mixing/Mastering / Variating Kick Drum Levels Between Sections
« on: February 26, 2016, 04:08:46 am »
I have a question regarding the levels of the kick drum from section to section. When it comes to mixing the kick into an arrangement do you ever change the level of the kick in different song sections?

Say you have the kick playing in the intro at -8db but then in the chorus it just sounds to loud in comparison to the rest of the instruments. Do you raise the level of the kick to -5db or do you make all the new instruments in the chorus louder instead?

The same question goes for the bass. Let's say that the kick and bass sound okay in the intro but during the chorus it sounds off when being played at the same volume. How would someone handle this in the mix? Volume automation? Duplicate the track and create a separate "chorus bass"?

Final question, are there any of you that actually use "different" kicks altogether in different song sections? If it helps with anything I'll just say that I'm referring to progressive house specifically but other genres are acceptable as well.

Very interested in your responses if you guys would kind enough to take the time to type it out.

50
You Might Like... / Seven Lions - A Way To Say Goodbye feat. Sombear
« on: February 24, 2016, 03:25:14 am »
I've really been enjoying this track lately. :)

https://www.youtube.com/watch?v=75shbkWBm8g

I really love the acoustic guitar and the triplet section later on in the track. Probably the first time I've heard it used in dance music.

51
Composition/Arrangement/Theory / How Many Instruments In Mid Section?
« on: February 23, 2016, 05:02:22 am »
How many instruments/sounds do you guys usually add to fill up the mids of the mix? Do you have usually include only one or do you have 2-3?

Do you guys intentionally add instruments thinking to yourself "I'm going to have this fill up the 1k-2k region and the next instrument I'm going to have fill up the 3k-5k region?

52
Samples/Plugins/Software/Gear / Organizing Track Colors In Your DAW
« on: February 23, 2016, 02:10:07 am »
What color scheme do you guys like to use when producing in your daw to help you organize your workflow?

53
Mixing/Mastering / Snare/Clap Stereo?
« on: February 17, 2016, 04:01:26 am »
Do you give your snare or claps any sort of stereo width or do you usually keep it mono?

54
Mixing/Mastering / Directional Frequencies
« on: February 16, 2016, 03:41:43 am »
I was watching a youtube video on studio monitor placement after I read that a lot of you suggested mixing on monitors. I've always owned a pair of KRK's but preferred to mix on headphones. I have a lot of catching up to do but while watching that video the creator mentioned that higher frequencies tend to be more 'directional' than lower frequencies. What does this mean?

55
Is there any plugin that is capable of doing this? I know FL Studio has it built in but I use Logic Pro 9 and can't really find a function that does the same.

56
Mixing/Mastering / Mixing On Monitors vs Headphones
« on: February 15, 2016, 06:16:30 am »
Which one do you prefer and is it necessary to be able to do both?

57
For those of you who are old fashioned and start off your music/songs on a guitar/piano how do you approach instrumentation when it comes to electronic music?


58
What is it that separates producers or instrumentalists from becoming more competent in a shorter amount of time than the other? It's not uncommon in music to see a pianist or guitarist who is incredibly competent and has only been practicing for a year or two in comparison to those who have been playing for decades to reach the same skill level. This same concept applies to producing music as well. Obviously dedication plays a big part in this formula. Someone who practices for 3 hours a day versus 1 hour a day will no doubt have an advantage. I want hear from you guys though regarding your opinions on what you think is the most efficient practice method when it comes to music production. Maybe a better question would be is there really such a thing as a superior practice method or does it vary from person to person? When did you improve the most throughout your production journey and how did you do it?

Is it more beneficial to practicing the different aspects of producing music separately or tackling them all at once? Let me elaborate a bit.

A piano practice session for a serious practitioner might look something like this.

1 hour - Technique
1 hour - Scales
1 hour - Chords
1 hour - Ear Training
1 hour - Music Theory
1 hour - Sight Reading
1 hour - Improvising
1 hour - Learning Songs

I would like to think that the same type of regimen can be applied to music production except using different categories. Do you guys think it's beneficial to practice things like mixing, sound design, or arranging SEPARATELY from the production process? Or is this a bit impractical considering that all these things are pretty much irrelevant unless you're able to combine them all at the same time to complete a finished track?

Finally, if it is beneficial to practice the different aspects of music production separately how would you divide your categories?

59
WIPs / Heatbeat - Lights Up Remake (4 bars) Opinions Wanted
« on: February 12, 2016, 11:23:10 am »
Hey guys. I'm trying to do a lights up remake for these 4 bars but my version sounds different. Can I get another set of ears on this to help figure out what my version is missing in comparison to the original?

The first four bars are the original while the second four bars are my version.

https://soundcloud.com/dannystestaccount/lights-up-remake :-\


60
Inspiration/Creativity/Motivation / What Makes Music Worth Your Time?
« on: February 11, 2016, 04:30:14 am »
Hey guys. It's been 6 years and a half since I've gotten into music as a hobby. I started off with guitar and then expanded to bass, piano, production, engineering, sound design, DJing, vocals, and drums.

In highschool I remember not really fitting in with anyone because although music was my forte I didn't play a band instrument so I didn't even qualify as a band geek. All my free time had gone to music and I've had to sacrifice so many things in order to get decent because of it. I was never good at sports, making friends, or anything else.

Basically in order to get good in this field it takes a really long time. Sometimes as producers we spend hours just to write 1 minute of music. As instrumentalists sometimes it takes dozens of hours just to be able to master a piece of music and perform it with confidence. All these hours we dedicate to our craft and people may never care about our music. Many people will never give it a listen. More people will just skim through it and move on to the next track.

The life of any artist is tough and requires lots of sacrifice. What makes it worth it to you? It seems like the only way to make a decent living nowadays as an artist is through touring and touring makes it difficult to have a relationship according to what I've heard. Aside from that I've heard its even harder to make decent money in the industry.

I've reached a point where I've come too far and given up too much to stop writing music. However I feel like I'm having somewhat of a quarter life crisis when it comes to thinking about whether all that time was worth it considering the things I had to give up because of it. I'm at a point where my music isn't good enough to be profitable and yet I've already dedicated so much time to the art.

It feels like I live in a different world from everyone else around me. People don't understand how I can spend so much time on music and there is so much pressure from society to focus on a career, get married, and have kids. The only people who I can really have a good conversation with are other musicians/producers because they're the only ones who understand what I'm doing.

Does anyone else feel the same way?


Pages: 1 2 3 [4] 5