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Topics - Lydian

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61
Inspiration/Creativity/Motivation / Forcing Yourself To Produce
« on: January 28, 2016, 08:22:01 am »
Does anyone on this board ever feel guilty about not wanting to make music? I just came back from school today (10pm) and I just don't feel like producing. I feel guilty though because I can't get better if I don't at least try to produce so I'm probably gonna force myself after I'm done writing this post. Is this unhealthy do you guys think?

I feel like I should be excited to produce but I just don't feel that way at all. Don't know whether it's because things have become much more challenging lately or whether it's due to something else.

Anyways... what do you guys think? Is it counterproductive to force yourself to write?

62
Inspiration/Creativity/Motivation / Writing Faster & Finishing Songs
« on: January 24, 2016, 07:04:48 pm »
Hey guys. It's a bit embarrassing to admit, but after producing for 2 years I've only finished a few songs. I don't like telling other people that I'm a producer when I don't have much to show for it. Don't get me wrong I'm LIGHTYEARS better than I was when I first started. Producing and mixing music have changed my ears in ways that I would've never imagined.

The catch is, most of those songs that I finished were back when I first started producing. I feel like the reason for that is because I didn't really care if my mixes sounded like crap or not. I was just so excited at the idea of being able to make music whether it sounded bad or not.

Nowadays however I get stuck very often. The reason why I get stuck more often I feel is because I've begun to set my standards much higher than when I first started. A bad mixdown or bad music in general just isn't gonna cut it. If the music isn't unique and doesn't sound good being played on a piano then it doesn't deserve to be produced in the first place. If the chord progression isn't beautiful enough then I won't even bother creating a melody.

I feel like this is a good thing because I'm finally beginning to identify my tastes musically. However because of it I've been having a lot more trouble finishing songs that I'm actually proud of. Often times I'll be halfway through a song and then lose the motivation to finish it because I'm just not proud of it.

At first, I thought this was an arrangement problem but upon further analysis I believe this is much more related to me not being able to get a solid mixdown. I have a hard time getting all the frequencies to be as balanced as I hear in professional tracks.

With that being said the question I have for you guys at this point is should I even be worrying about my songwriting speed? I would rather produce 1 masterpiece than 10 turds but I feel like because of that it takes me a long time to finish my songs. At the same time however I feel like once I'm finally able to habitually get good mixdowns the songwriting speed will eventually catch up to me.

In summary...

Should I be concerned about my producing speed?
Will my producing speed eventually get faster as I get better?
What are some things you do that helped you get past the same situation that I'm in?

Thanks for reading.

63
Sound Design / Producing Hi Hats
« on: January 22, 2016, 07:15:50 pm »
Hey guys. It's really hard for me to produce hi hats. I can do it but I feel like when I come up with good ones its just luck. I thought it might help if I was able to look at the songwriting process of other users on the forum

How many layers/samples of hi hats do you use?
How do you pan them?
Do you vary the velocity?
What does the stereo width usually look like?
What FX/Processing do you incorporate into your hi hats?
Do you also add rides in your loops?



64
I have a few questions related to compression.

Question 1: I often hear that the faster the release time of a compressor the louder the sound will be. I've noticed however that when I have longer release time on my compressor it basically "smooths" the sound out so that the quiet parts of instrument get louder. How is it that a faster release time makes things louder?

Question 2: In regards to multiband compression and normal compression what is the difference between the two? I read that a compressor basically lowers the volume of ALL the frequencies of a sound even if it's only the bass that's triggering the compressors. If that's the case then how does a normal compressor make things louder if the balance between the frequency being compressed are remaining the same?


Question 3: A multiband compressor on the other hand I heard can reduce the volume of only the bass while keeping the mids and highs uncompressed. In this case isn't the multiband compressor a better tool for achieving balance?

Question 3: What elements of a mix usually have multiband compression on them?

Question 4: What the heck is "glue" compression?

Question 5: Let's say I had a kick that was hitting at -6db and a pad that was playing at -12db. If I were to set a compressor with a -12db threshold and a ratio of 6:1 could I essentially get the kick and the pad to be playing at the exact same volume therefore improving the balance of the mix?

Question 6: When should I use a compressor vs just using a normal volume fader to balance the elements of a mix?



65
WIPs / New DnB Track | Hows The Mix?
« on: January 13, 2016, 12:11:33 am »
Hey guys. I made this a few days ago before going to work and never got the chance to finish it. What do you guys think? Is it worth being finished? How does the mix sound? Do you guys like it or not?

66
Finished Tracks / Xevious - Tears Of Trinity
« on: January 09, 2016, 01:41:24 pm »
Hey guys. I produced this song 1 year and 4 months ago. Not really sure what genre I was going for or whether this is even has a genre but I thought I'd put it up for some constructive criticism.

I think that mixing is a weak point of mine. It'd be cool if I could get some help with that. I really like notes and pretty chord progression as you can tell so don't expect a whole lot of banger type stuff because I haven't learned how to make it yet.


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