The only time I have ever seen a reverb on the whole mix it was flux's emotional breakdown (@19:00): https://www.youtube.com/watch?v=lLBPLyOzN_I

any time I've tried it or heard of other people trying it though they say it's not good

Awesome to get mentioned on here already! 

I bet about 95% of my synth sounds are probably made in Sylenth. I like to keep my sounds simple and clean.

I'd say future bass is definitely more about songwriting than it is about sound design. Like a few people here already mentioned, adding 2nds, 4ths and 7ths to your chords will help give them a bit more depth and emotion (not just for future bass obviously). I tend to use a lot of dissonant harmonies in my chords as well, I think a lot of people aren't used to using those types of harmonies in their chords. My music teacher in high school once asked me to describe a dissonant harmony and I answered "they always sound ugly" and he said "not if you use them in the right way", and that actually completely changed the way I wrote my chords.

Also something I absolutely looooove is using nice clean sounding, slightly detuned saw (most of the time using 2 voices) synth leads for my main melodies or solos. I use an LFO to add vibrato and then I automate the gain to make it sound funkier, I also use a lot of pitch bending and/or portamento as well to give it a bit more depth. To make it sound smoother I always use a nice lowpassed ping pong delay. Highpassing out anything below 120 Hz on the leads always seems to help with that as well.

One little trick I always use is slightly bit crushing the leads to give them a little 'crunch'. If I'm using a bit crusher though, I always lowpass anything above 20K, you might not hear those super high frequencies but your dog might. Even if you're not hearing it it might still clean up your mix and bit crushers always add nasty unwanted frequencies.

hi david

I've also learned from you that putting a small but drastic pitch envelope on most synths gives it a nice little punch

Piano at the end sounded like Language  It could use some reverb to make it sound massive

You have all the synths in place, I just think they don't sound full.  I'd try to A/B your mixes with other similar artists or inspirations like Puppet who have a close style to what you're going after.  When you a/b you should be able to hear what you're hitting and what you're lacking in

Quote from: Shew on January 06, 2016, 09:03:23 am

Juno 106 soft synth - https://tal-software.com/products/tal-u-no-62

I completely forgot this was free, so good I thought I paid for it

I just got the roland boutique ju-06 so I guess I don't need the soft synth version anymore 

I just got the roland boutique ju-06 and it is so awesome.  Can't wait to get home and have a proper setup with it so I can be Martin Doherty

Camelcrusher (rip  ) was amazing back when it was alive.  Does anyone still have a download for it?

Really good smexscope -http://bram.smartelectronix.com/plugins.php?id=4

Juno 106 soft synth - https://tal-software.com/products/tal-u-no-62

I loved the intro hits.  I think though you could work on gain staging a bit, I felt that there were overpowering elements at certain points