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Messages - Wontolla

Pages: 1 ... 10 11 [12]
166
Composition/Arrangement/Theory / Re: How to make a DJ mix in FL Studio
« on: January 06, 2016, 11:20:57 pm »
One minor point: if you've got tonal elements from both tracks playing at once during the crossfade, make sure they're not going to clash. This guy picked one track in A minor and one in Eb minor, and they're a tritone apart, so it sounds a bit messy during the crossfade. Pitching the second track down half a step would make it a perfect fourth, which sounds nicer, but if you don't want to bother with stuff like that, try crossfading them when one of the tracks only has percussion going.

167
Sound Design / Re: Dealing with "emptiness"
« on: January 06, 2016, 10:38:21 pm »
Use a visual EQ to see where gaps are and then see if anything fits into that. or layering current sounds to fill more. there are a million different ways to fill that space.

^

Usually, when people say a track is "empty", the problem is in the highs, but check the EQ (or a spectrum analyzer).

168
Sound Design / Re: Dealing with "emptiness"
« on: January 06, 2016, 10:31:35 pm »
Pads.

169
You Might Like... / LoneMoon - Mirror [dark trap]
« on: January 06, 2016, 10:24:10 pm »

This guy's been blowing up lately, after having a track on SuicideSheep. He does future trap with great sound design and atmosphere.

170
Mixing/Mastering / Re: Side-chain
« on: January 06, 2016, 10:08:05 pm »
I think when people say "sidechain compression", they mean using sidechaining specifically to lower the dynamic range of the master (like regular compressing). Instead of using it for an effect, like getting the pumping sound for house. It's the same process, it's just used with a different result in mind. Or I could be totally wrong w/e

171
I just got here, time to be an asshole and ruin my rep.

> What defines "generic"

Being replaceable.

I mostly do dubstep. Most mainstream dubstep from the last couple of years sounds like it's all made from one formula, and that formula controls EVERYTHING. Sometimes that formula changes slightly, and then everyone changes to follow it. But either way, I'm kind of sick of hearing another track with the exact same structure, exact same drop setup, exact same sound design, and exact same mixdown, even the exact same key signature (F minor). It gets boring after a while, and having the same lead sound playing a slightly different melody (in the same style) isn't enough.

how can you avoid a generic structure

Make tracks because you want to, not because you have to.

Music is entertainment, but it's also a creative field. I mean, you could be all "me too" and make another interchangeable banger, but why? Once your technique (arrangement/sound design/mixing...) is in a good place, it's time to learn how to channel your inspiration into a track, and use different elements to convey different ideas. I think that's something most producers skip, and you can tell which ones they are pretty easily. And if you're having problems getting inspired, go out and find something that inspires you! Heartbreak, politics, religion, friends, a place, or just TV/books/movies, or even more music. You don't have to make music about something specific, and EDM is mostly instrumental anyway; as long as it makes you want to create.

But how exactly does someone do that? I think the best way to expand your musical style is to listen to other music. Haywyre and Koan Sound both have great jazz influences. Dubstep originally had a lot of reggae influences. When trap started out, it had some rap going on, AFAIK.

^ that too

172
Composition/Arrangement/Theory / Re: Remixes
« on: January 06, 2016, 09:38:25 pm »
I'd try to find a "story" in the track, then rebuild it from scratch based on that "story". Try reinterpreting any melodies or rhythms you like, too, like playing them on a different sound, or using pieces of them as part of something else.

That's just one way to do remixes, though, some remixes are just "what if this was trap instead of big room". Either way, the point is to show everyone what you hear in a track.

173
WIPs forum.

Or you could see if this helps, while we're here

Actually never mind, this is a quick fix. There's no bass at all. Give it bass.

174
Have you tried playing it back inside your DAW and recording it from the master? (ie with Edison if you're using FL Studio) Not the best solution, but this way, you can at least show us the before/after.

175
Mixing/Mastering / Quick 'n dirty guide to a typical EDM mix
« on: January 06, 2016, 08:17:03 pm »
First off, hi everyone! There, now that we've been introduced and know everything about each other, here's a guide I threw together a year ago to help people get started with mixing. It just covers the basics for how most modern EDM is mixed, with a quick primer on mastering; nothing special, but it should help some people get to an acceptable level, fast.

https://www.youtube.com/watch?v=RBqgh_mvkys

(is there no video embed button or am I just missing it)

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