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Messages - Ninth Parallel

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17
Inspiration/Creativity/Motivation / Re: Art Inspires art
« on: March 31, 2016, 07:40:26 am »
I have always felt that musical inspiration works a lot like genetics. Fascinating to think about.

18
Sound Design / Re: Porter Robinson - Sad Machine remake
« on: March 29, 2016, 02:21:48 am »
thanks everyone!

This is so good man... great job!

Do you think you could go through the main chords sound and the drums?  I've been trying to do a remake myself and make music in a similar style but i am having difficulty finding the drums
The kick in the choruses is just a sub I made in harmor, and then a generic transient kick with a high-to-low pitch envelope to make it less prominent and more quick to decay!

19
Sound Design / Re: Porter Robinson - Sad Machine remake
« on: March 28, 2016, 12:39:10 am »
This is scary accurate.
I'm a bit obsessive when it comes to remakes haha - I think attempting fully accurate remakes is amazing practice for training your ear both musically and production-wise. It forces you to figure out your own techniques in order to achieve certain sounds or overall atmospheres

20
Sound Design / Porter Robinson - Sad Machine remake
« on: March 27, 2016, 02:45:20 pm »
I got bored a week or two ago and made this in a couple of days, not finishing but thought I'd share here:

https://soundcloud.com/ninthparallel/sm-remake-rough-parts/s-aFlyC

21
Finished Tracks / Re: soupandreas - Palette EP
« on: March 24, 2016, 09:42:45 pm »
Got a chance to listen, you've got an awesome sound man, love it

22
R&A Graveyard / Re: Forum Giveaways
« on: March 24, 2016, 06:23:25 pm »
Sounds like an interesting idea, how would people enter? We'd want to let the more active people in the community in on these contests so that inactive people don't crawl out of the woodwork just for some free gear

23
Looking forward to seeing this debate unfold - I find this question hard to answer, quantitatively at least... Producing music and playing tangible instruments both involve an insane amount of passion, process, dedication, & refined technique, all of which are required for true artistic mastery in any field.

At the time of writing, I've been playing piano for around 12-13 years and I found it hard to start producing at first. It's a totally different monster with a totally different set of rules, like any extremely complicated instrument you could pick up and mess around with. Anyone can play the piano, anyone can produce music. When the argument is brought up that "anyone can make music on a computer", I bring up the argument that "anyone can make bad music on a computer", just like "anyone" can play something terrible on a piano. In both cases, the dedication to the craft makes all the difference.

So this being said, I think the only right way to measure and compare both is to take into account the time and work involved in mastering the two, which, imo, is the same for both.

24
Finished Tracks / Re: soupandreas - Palette EP
« on: March 24, 2016, 12:24:45 am »
Love your music man, can't wait to check this out

25
Inspiration/Creativity/Motivation / Re: How to progress?
« on: March 23, 2016, 03:59:53 am »
I only started to get anywhere a few years after producing music. After fully dedicating to it over a long period of time, it sort of becomes a part of who you are. That is what's driven me so far, I think the key is that you genuinely need to care about what you're doing and you need put a lot of love into your music. Once you do that, you'll start to see results. Focusing on results themselves is pointless! Focus on what makes those results happen.. keep pushing yourself to learn more about what you're doing, and keep pushing yourself to love what you're doing!

Here's a very brief overview of my relationship with music over the past few years as I've gained more experience:

Before I started Ninth Parallel, I was making terrible music under an alias (I won't reveal), and all of the songs I uploaded would get less plays than the numbers you stated in your opening post. Something traumatic happened in my life and music was the only thing I could confide in, and I began to grow an extremely close bond to the creative process (this was after two years of producing). Each time I go through something traumatic in my life, the first thing I do is believe music will be my way out and to a better life. I always trust that my music will help me become a better person - anyways the first song I released under Ninth Parallel after my first existential crisis, called 'Reentry', got thousands of plays and I was so shocked! And I knew that I was finally making music that deserved any attention in the first place.

While my perception of music has completely changed ever since I wrote Reentry, and music is much more meaningful and influential in my life, I still learned a lot in that initial period of time. It's been a few more years and now I've achieved dreams I never thought I'd be able to achieve. The most important thing about this though is to let your goals keep evolving. I've played shows with Madeon and had an official remix for Porter Robinson but those things are in the past now. The ideas and goals I have now are so much more vibrant. You just need to dedicate yourself to your craft and put your entire being into what you do.

If you're unhappy with your current progression as a producer, or your lack of interesting ideas, you are obligated to push through that if you want to get better. Make this your goal. Once you achieve this goal there will be other, more daunting goals, but each one you conquer will make you stronger and more fit to keep breaking down those walls. Always push yourself to keep learning!

26
Sound Design / Re: Im happy I finally registered
« on: March 23, 2016, 03:42:33 am »
Account deleted and IP banned. Thanks for reporting!

27
No advertising allowed. Locked.

28
Thanks for sharing this :) lovely

29
Sylenth is versatile enough to be a go-to synth in my opinion, every electronic sound in my song Infinitum was made with sylenth

30
Sound Design / Re: Ninth Parallel - Infinitum Bitcrushed Pluck
« on: January 24, 2016, 08:54:37 pm »

Seems pretty close to me.

32 notes? or arp setting used?

Neither. Hold down a chord and the LFO with 1/16th rate takes care of it.
There's a cleaner way to achieve the sound, this is what I did in the original sound: turn Arp on, set it to the chord setting, then apply lowpass filters, and then put an envelope on the cutoff, this lets you fine-tune the exact preciseness of the sound. There's also a very fast pitch envelope too, to get the sharp attack! I'll try to provide more info on the sound later on, but I finished the entire song a few days ago and am very busy with it now, like I said earlier!! Keep messing around though, it'd be cool to see you guys figure it out. You're on the right track with the decimate distortion as well~

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