Hello all! We've introduced higher-level Verification here on the forums over the past night. The purpose of this feature is to give you the power to know whether or not the person you're talking to is who they say they are. We'll constantly be verifying notable artists, record labels, and industry contacts on an ongoing basis.

The Verification symbol will appear next to a person's username, currently in four places: on the "Users Online" list at the bottom of the main board page, in threads whenever a notable account posts or replies, on a notable person's profile, and in the Members list. The symbol looks like this:

If you believe you are qualified for verification, send a message to @the_pro_fo (Twitter) and we'll see what we can do!

If you have any questions or want to clear up any confusion, feel free to reply to this thread.
- Rishi

Dear producers,

You should all have your email address on your soundcloud account for maximal networking. People might want to contact you, and emails are often used to do so

Cheers!

Definitely a good idea! Also the fact that many people might not know how to present themselves and their music online might call for the creation of another subforum - I'll talk to Mat and see what he thinks.

I want to know is music theory really important to become a good Electronic Producer

Yes.

How does this "everything under 150Hz has to be mono" works, I mean, how do you turn something that has a very wide stereo image into mono?, the kick and the bass for example; how do you know those low frequencies are in mono? and how do you make them mono if they are not?, and what are the benefits for having them that way.

Maybe I'm asking a lot of things but this particular issue is having me troubled and intrigued.

I use iZotope's multiband stereo imaging node and it's very useful. You can split the processing into four separate bands and change the width/narrowness of each independently!

For example let's say you have a reese bass - you would want the sub portion to be in mono, while the low mids would sound more aggressive and enveloping with some amount of wideness on that band

Multiband width processing is very useful and powerful for making mixes cleaner, adding interesting processing effects, etc. I use the iZotope imager all of the time, definitely recommended!

also to answer one of OP's questions: "Is there a way to have a really good sounding stereo track that translates well in mono?"
This comes with repetition, and good sound design practices.