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Messages - daimon

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1
Sound Design / Re: This ¨common¨ future bass effect?
« on: November 20, 2016, 02:12:48 pm »
hello,
sound you're after is pretty basic (almost all future bass sound design is pretty basic tbh), starting point is to have multiple saws stacked or put in unisono and detuned, then its just about routing LFO to your filter, set rate (1/4 rate might work) with possibly high gain, if there is option in your lfo to "reset", turn it on - so each time you press key the lfo will reset and will start "wobbling" each time the same :) if you're not sure what I mean, just look on youtube and type in "future bass tutorial", there is plenty of sh*t out there covering this sound :D

2
Samples/Plugins/Software/Gear / Re: Soundcloud subscription
« on: May 22, 2016, 08:58:38 pm »
if you're making original music, i don't see why would get your music taken down?

unless you have some unauthorized samples....
well the thing is SC is so lazy they take down anything with similar name too sometimes :D I read somewhere that some guy uploaded silent track and named it the same as https://en.wikipedia.org/wiki/4%E2%80%B233%E2%80%B3 and it was taken down by copyright notice :D ridiculous...

3
Also, if you like toms

then "The Dugg Funnie Private Reverse Toms" is for you.
thanks for great discovery! It is hard to find good toms pack these days...

4
Samples/Plugins/Software/Gear / Re: Izotope?
« on: May 21, 2016, 07:52:11 pm »
How much coloration is occurring and at what point does the coloration occur?

are you buying it for the tool or the color?
to get the color you need to crank things a bit up (by the way, "famous" Soundgoodizer is just a preset from Maximus), otherwise if you don't go crazy on the knobs it acts as a standard limiter. After Maximus I noticed it added a nice warm to mid and higher bass. I don't know if I would buy it on it's own for saturation it adds, but it comes with Producer bundle of FL Studio

ok so considering the coloration from the plugin, that would effect the master output.

Would you want to extend to a point of coloration or some level of coloration on your master?

Does this coloration relate to achieving commercial loudness?

Should loudness and coloration be considered in your masters?

I understand the what would consider being "commercial", but i don't understand if there's a need for that to be the average reference point for the consumers.

Unless there's literally so much ambient noise that you NEED that whole BS.
hah this is coming into interrogation :D

Yes, I put Maximus exclusively on master channel, 99% of the time when I want to saturate the sound, otherwise I use Waves L2 for traditional limiting. I think I'm not going after a "commercial" sound, I use it on songs that I don't want to sound clean - most of the time sampled stuff and synthwave (80s cheesy shit :D )
https://soundcloud.com/itsdaimon/synthwave-thunder-lighting/s-HqYE4 here is the synthwave track I've been working on with maximus on master, it has that dirty compressed sound to it (at least for me)

5
Samples/Plugins/Software/Gear / Re: Izotope?
« on: May 21, 2016, 04:58:25 pm »
How much coloration is occurring and at what point does the coloration occur?

are you buying it for the tool or the color?
to get the color you need to crank things a bit up (by the way, "famous" Soundgoodizer is just a preset from Maximus), otherwise if you don't go crazy on the knobs it acts as a standard limiter. After Maximus I noticed it added a nice warm to mid and higher bass. I don't know if I would buy it on it's own for saturation it adds, but it comes with Producer bundle of FL Studio

6
I believe that everyone has their own sound, they just don't realize it. Of course if you don't practically ripoff popular tunes and use exactly same sounds. It might not come in 1 month, but it will come naturally without you knowing it.

7
Samples/Plugins/Software/Gear / Re: Izotope?
« on: May 20, 2016, 07:36:45 pm »
I was never much into Ozone. On master channel I use BlueCat's Multiband mixer, C1/C4 (huh), and my go-to limiter is Waves L2, but recently on certain songs if I want to add more colour to the sound I use Maximus instead - that plugin is amazing - I used it on master of my Synthwave song and it brought up some nice tones!

8
Inspiration/Creativity/Motivation / Re: Why you start producing?
« on: May 13, 2016, 10:45:07 pm »
I dunno exactly why, it "just happened". here is the long story:
It all started with EDM boom in 2011 when more electronic sound got into mainstream radios - I was 15, listening to crap like Flo Rida and Pitbull, I really liked Flo Ridas Good Feeling song, then when I found the original by Avicii called Levels, I was completely shocked by the electric sound and how it was so catchy even if it was instrumental thing (I'm not counting the Etta James sample) - I became obsessed by Avicii and I dug deeper - on his wiki page was mentioned Daft Punk as influence - never heard of them, I played first song on youtube - it was One More Time, and I realized that I heard this song already once when I was 6-7 yrs old and I loved it back then, now was blown away by those nice, unnatural tuned vocals.
Then I found out there is some genre called House and I became regular listener of progressive house - i stalked every possible episode of Eric Prydz Epic Radio and I listenned to it over and over again...
then there was this Pitbull feat Afrojack song - Give me everything, which accidentally changed it all for me - I really liked the piano chords in that song but I already hated Pitbull's shit all over it so I searched for Instrumentals - there wasn't any, only some youtube video with remake of the full song - in the video, everything was played from some weird looking complicated program - that was my first encounter with FL studio. I googled the program, what it is, what it does and how the heck are songs created then.
 After a brief introduction to FL studio I decided I want to make such awesome songs like Avicii, and I tried to remake them (without good results lol), then I learned more and I realized I could try something on my own - first song was a disaster, I'm  still trying to figure out why on Earth I lowpassed C5/C6 strings at like 300 hz, why "climax" was 12 bars long or why I putted reverb on practically everything  ??? (I still have the song somewhere I can post it if you want instant earbleed :D ) but I still kept on learning and now I know I'm capable of creating pretty decent song.

So yes, I'm a child of Avicii and Afrojack, that is producing trap, moombahton and future bass now. Believe in yourself and do your homeworks.

9
Samples/Plugins/Software/Gear / Re: Soundcloud Copyright Issues
« on: May 11, 2016, 08:58:55 pm »
It depends on on copyright holders - some doesn't mind, some are overly sensitive about unofficial bootlegs.
I know I saw somewhere on the internet the list of artists/labels that holds their copyrights very tight - for example, it isn't a very good idea to remix ABBA, Michael Jackson and definitely not Beatles, they take it down immediately and very often leads to warning/instant deleting your SC account.
The trend that is now is if you value the number of followers on your SC account, you can create special account where you'll post only these remixes and bootlegs and then repost it by your main account so you still reach your followers with the your content. This will prevent (if some copyright violations are found) from deleting your profile with so hard-earned follower numbers, instead Soundcloud will erase only the account with copyright-violating content (aka bootleg profile)

10
this was the easiest sample search ever probably :D http://www.whosampled.com/sample/260640/Sigma-Nobody-to-Love-Lyn-Collins-Think-%28About-It%29/ Whosampled.com should be the first place when you're searching for some sample in the song

12
I still feel like Steven can be an ok guy, but Drew is class A douchebag. Funny thing is I got banned in their Cymatics group without even being rude or something... one day just banned :D good thing is, that some people realize how impossible this company is and they even created parody fb page for them https://www.facebook.com/buymaticsFM/?fref=ts I'm f**king dead  ;D

13
i'm pretty okay with massive, but serum scares the hell out of me. how tough is it to get into?
I was scared too, but it's similar to massive with wavetable synthesis etc... it's just so complex, I believe you can create any sound with it. So many effects and other cool features, creating own wavetables and so... just don't be scared, you don't have to use (and probably nobody ever does) every effect and every tool you have at your disposal. Even with stock wavetables, 1 filter, 1 sub and 1 envelope/LFO you can make great sounds. I'd start there, then move on using FX and various filters.and then using various tables and more :) good luck

14
Mostly Massive, but Im exploring Serum atm
Exactly me too!

15
Inspiration/Creativity/Motivation / Re: Producing Under the Influence
« on: April 20, 2016, 06:48:46 pm »
I'm not a pill kind of guy, but here is my experience
Alcohol: I tried few times to produce drunk after returning from party but I'm completely useless after few drinks. 1-2 standard glasses of whisky makes me less focused on details and creates a bit distance so I get more general feelings about the track.
Weed: I smoke only with friends and not more often then once in 2-3 months. As mrotsdnaS - eduraD said, it opens new mental gate - I started to hear tracks a bit differently and more in "colours and shapes". I believe after first joints different perspective on the mix and more creativity stays even when I'm not baked. It really is a gate - once you open these doors, they stay opened.
Cigarettes: although I recently quit smoking, right after a cig I could feel I was way more focused on things around me and on little details I've never thought of before. (fun fact: Alesso stated that all his inspiration and creativity comes from cigarettes/during smoking)
Coffee: as a person who drinks 2 lungos each day, I have high tolerance on caffeine and it barely affects me during production. (just fun fact: I read in some interview with Porter Robinson, that he is big coffee addict and coffee gives him the inspiration)
Sleep deprivation: it's not a substance, and might be a illusion or personal myth of some kind for me, but I believe that when I create music in these late nights and around 2 AM I start to be tired as hell, I came with the best killer melodies and chords. Very often I even forgot I made a melody for a song that night and when I open it again in next days I'm surprised that the melody sounds great

so... here are my 2 eurocents :)

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