Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Messages - Vidale

Pages: [1] 2 3
1
Finished Tracks / Deep House track. I'll give feedback in return.
« on: June 12, 2017, 10:24:43 pm »

Hello Guys!

I would appreciate any kind of feedback you are able to give me. Mixing or music wise. I'll return the feedback favor, just leave a link to your topic or track.

 Thanks!!

https://soundcloud.com/kyevidal/kye-vidal-frausto-firepower/s-GVj7I

2
Mixing/Mastering / SUB Theory
« on: December 29, 2016, 10:44:36 pm »
Hello guys,

I would like to know what are your thoughts on where the SubBass should be sitting in the frequencies spectrum .I have found myself in a problem. I'm working on a track, and the Sub Bass is playing the note "D". My subBass within this note stands more or less in the 30 Hz, which might be too low. When I transpose it to the octave above it goes as high as 73 Hz (mor or less) which I'm afraid that might be too high.

What are your thoughts on SubBass placement??

3
Mixing/Mastering / Compression on synths
« on: September 17, 2016, 02:46:04 am »
I just don't get one thing. I've been watching a lot of videos of big producers doing a lot of compression on their synth leads and I just don't get why. The velocity in their midi info is the same so there's not a lot of dynamics in their melodies, but they always throw compressors In there.... WHYY???? To glue layers? to make it sound different?




4
WIPs / Re: Track I've been working on
« on: May 07, 2016, 04:25:17 pm »
I like vocal samples quite a bit, though I'd drop even more reverb on them to really let them fill up the space in the mix. I have almost nothing to say about the rest of the buildup to 0:47 though, aside from maybe bringing out the percussion some more than it already is.

I like the synth melody over top in the drop, but there isn't a lot else going on. With just one or two more elements such as really high-end bells it could be an amazing drop section. On that note, I would actually just boost the high end on the master EQ to the whole track. I'm definitely left wanting more in the high regions as the track progresses. The bass and mids are nice, but they don't quite fill the whole space.

Pretty sick though so far man, keep it up! Could turn into a really sweet track!!

Thanks man... very constructive. I appreciate it!

5
WIPs / Re: Blues EDM WIP
« on: April 28, 2016, 06:50:06 pm »
The concept of blues in EDM is really appealling to me. I'm sure it will come out in the industry at some point. I really like the drop, it is a VERY GOOD IDEA don't change it. I love it.

I have a problem with all of the other sections. At the beginning of the song there seems to be nothing I can grasp on, not a real concept in which you are working on in this track, I feel like every instrument its doing it's own thing and doesn't care what the other ones are doing. In terms of volume, there is nothing that sticks out to my ears that says "Oh, ok. This is what my attention should be focusing on".

On the breakdown after the first drop, you use some orchestration for that section that feels out of context with the song. That part alone might be a good idea, but in the whole picture of the track I don't feel it works that well, and taking in count the title of the thread, I think you are going more for the bluessy side of things. I would take that orchestral part and build a different song out of that.

I think you should focus on what elements you're using on the drop and build the track around that. I'm serious when I say this has a lot of potential.

I hope to hear and updated track soon.

6
WIPs / Re: Let me know what you guys think about this WIP!
« on: April 28, 2016, 06:31:20 pm »
I like the beginning of the track where the chords hit for the first time, nice. REALLY COOL. I think you should work a little bit in the dynamics between the buildup and the drop, I actually feel the buildup is louder and that's not good. I would lower the volume of the buildup and add a sub or something to the drop.
Watch out for the distortion  between 1:52 and 2:01 on the piano.

After a while the melody feels very repetitive, you could fresh it out by adding various melodic elements throughout the track.A few ideas come to mind (vocal cuts, synth melodies, even a bass hook or something).

Overall it is a nice track, really reminds of of avicii and a little bit of martin garrix. Keep working on it, it has a lot of  potential. ;D

7
WIPs / Re: How's my mixdown?
« on: April 28, 2016, 06:19:35 pm »
I think you can work on the dynamics of the song a little more, so that the parts where there's no beat  there's a lower volume and in the most important parts of the song sticks out.
You could also a bring those synths/horns out a little more in the mix.

Cool music :)

8
WIPs / Track I've been working on
« on: April 28, 2016, 06:08:36 pm »
Hey guys,

Please listen and tell me what you think. Any kind of feedback is welcome.  ;D


9
WIPs / Re: "Your Hands" any kind feedback is welcome
« on: April 19, 2016, 04:02:55 pm »
Yeah the drop is weak, as a listener i couldnt choose to which part should i pay attention cuz it seems like all the elements are fighting . It needs a proper mixdown and sound selection . Its not even about the repetition its more likely about having some sort of a distinctive hook that makes the listener come back to the track . Hopefully u understand lol .

I see. On the drop I want people to focus on the bass, I'll fix it in the mix. I'll see wha I can do to make the drop stronger.

Thank you.

10
WIPs / Re: "Your Hands" any kind feedback is welcome
« on: April 19, 2016, 02:25:43 pm »
Thanks Annie, that helps a lot. I'll see what I can do after the second drop and figure out a better arrangement so that the vocals are not so repetitive.

Thanks for your pointers.

11
WIPs / Re: [Synthwave] Unmixed/Unmastered - SHIKIMO
« on: April 19, 2016, 04:36:00 am »
I like the feel of the track. I like how you build it up, nice arps. I think by the time you add the hihats at 0:59 you can play them at 16nth notes straight away. I feel like the track is opening and getting faster and when you add those hihats it feels like it gets slower before accelerating... IDK.. personal opinion.

I really like it, I would like to see how it sounds when it's finished.

12
WIPs / "Your Hands" any kind feedback is welcome
« on: April 19, 2016, 04:21:19 am »
Hey Guys,

I've been working on this track for a while and I'd like you to listen to it and tell me whatever comes to your mind. Any kind of feedback is welcome, either you want to say something about the arrangement, mixing, or anything else please do.

Keep in mind it is an extended mix, so the track itself starts at 0:31.

:)





13
Samples/Plugins/Software/Gear / Using a MacBook for FL
« on: April 08, 2016, 06:25:39 pm »
Why do a lot of big producers that use FL Studio use a Mac for producing (Avicii, Martin Garrix) instead of just buying some high-end laptop like an Alienware or something else?

14
Composition/Arrangement/Theory / Re: I dont understand modes
« on: April 06, 2016, 01:15:04 am »


The best way to do this IMO is to look up "(Insert Mode) backing track"  and then just improvise to it using the corresponding mode. That's how I learned it anyway. Music theory is useless if you aren't able to translate that theory over to your ears.

I totally Agree.

15
Composition/Arrangement/Theory / Re: I dont understand modes
« on: April 05, 2016, 02:46:20 am »
Well the thing with modes is the next. Your normal everyday average major scale is the first mode Ionian, and each subsequent mode is just the same scale just that you start at the next note of the scale. So:

Let's use the C major scale as an example for simplicity:

Your First mode (Ionian).... and the scale would go as follows:

C-D-E-F-G-A-B-C

Then your next mode will use the EXACT SAME NOTES. The difference is that you'll position yourself so that the first note of the scale is the next note... in this case D.

So, your second Mode (Dorian) would go as this:

D-E-F-G-A-B-C-D

And you continue the process to identify every subsequent mode with the third, fourth, fifth, sixth, and seventh note of of our first major scale.

So... what's the difference? aren't those the same notes? Shouldn't it sound the same?... Technically yes, but when you position yourself playing on a chord progression with a mode you'll see that you have a very specific character for each mode.

If you play a Dorian scale over a certain chord progression you'll get a certain feel, and if you suddenly change to Aeolian Mode the tone will change drastically.

Each and every mode is subject of study. You can find some great youtube videos about each mode and how to use them.

Check out this video:
https://www.youtube.com/watch?v=ljD8y0Totrw
It explains the Dorian Mode in detail, then you can dig around as you please to satisfy your hunger for knowledge. :)


Pages: [1] 2 3