Hey guys,
Just leavin this here I hope you like it

https://soundcloud.com/simplifyrecs/miles-dominic-some-day-feat-pip-fernandez

Hey guys,
Im thinking about reviving my tutorial channel ( https://www.youtube.com/channel/UCW2FHtlK9GWZFOOk7fezThQ/videos )
are there any of you who are interested in me explaining particular techniques or sound design? u can ask me anything from my tracks too.

https://soundcloud.com/milesdominic
https://soundcloud.com/MilesDominicRemakes

Miles

Quote from: tmp123 on August 22, 2016, 08:01:09 am

Hi, been trying to make supersaws for melodic dubstep like culture code seven lions etc. When I make supersaws they always seem to either be to low and muddy/lack clarity or to high/thin/harsh. Even with layering multiple supersaws/synth layers still seem to have the wrong problem and I feel like it could be chord voicings. Can some please give some advice tips on chords for supersaws and how they process them, thanks

Making melodic dubstep supersaws that sound good is about being able to hear what needs to be added/taken away and doing that. If your supersaws are muddy then how about removing the 200hz with an EQ or lowering the layer that takes up those frequencies? If they're too thin then why don't you try added one more layer that specifically takes up the 60hz -100hz range?

Don't just stack a bunch of random layers. Each layer must have a purpose to fill out the frequency spectrum.

When it comes to chord voicing try to avoid small intervallic distances between the bass note and the middle voices. Having the two at least a fifth a way from each other well help keep the chords from getting blurry in lower registers.

You definitely don't want your supersaws going down to 60 hz. Most of these large saw stacks are lowcut anywhere between 150-350 hz. Then a mid-bass is used to layered the low mids and a sub for the lows 40-120/150'ish. Sounds much cleaner, more powerfull and you have less phasing in the low end than if you were to use a supersaw for the lowend.

Wat the hell dude. Why are you asking medical advice on a producers forum? Smh.

I can't be bothered to update. My workflow in Logic Pro 9 is fine, so why would i have to switch haha. If it ain't broken, no need to fix it. init.

Yo m8s

I made a fun festival bootleg for Axwell ^ Ingrosso's Thinking About You. I uploaded a cut off the drop to SC but the whole song is available when u donwload it

https://soundcloud.com/milesdominicremakes/axwell-ingrosso-thinking-about-you-miles-dominic-festival-bootleg-dropcut

Hope you enjoy

Hey m8s,

Here is my new future bass release. I finished it a few months ago but only got around to releasing it today. I hope you like it

https://soundcloud.com/milesdominic/miles-dominc-lights-fading-final

Quote from: Miles Dominic on May 12, 2016, 10:44:57 pm

Whats up with all this overcomplicating things? For my tracks I just make sure all the levels are mixed properly. If some instruments, samples or synths have peaks I see if they're too large. If they are, I apply compression or some bitcrush to tame the peaks, but other than that, achieving loudness is just getting your levels right. If you have that right you can turn up the limiter get professional loudness.

parallel compression is life homie.

parallel your track, and it's daaaaaaaaaaaaank. Especially with that tape distortion.

Why would u parallel compress ur master. Wtf.. I think u're seriously making things complicated for no reason. There's no reason to do that if you fix the dynamics in the mix imo.