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Messages - manducator

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91
Mmh yeah, but aren't thereany 64-bit visualisation plugins around? I can hardly imagine.

92
Hello,

s(M)exoscope is a waveform visualisation plugin and as fas as I know, it's only available in 32 bit (win).

http://bram.smartelectronix.com/plugins.php?id=4

Is ther a 64-bit alternative? Preferably free but I consider payware if needed.

Cheers!

93
Inspiration/Creativity/Motivation / Re: Guilty pleasures
« on: March 06, 2016, 07:42:28 am »
I'm a techno and metal lover, not interested in commercial music and my guilty pleasures are...

- Lady Gaga (there, I said it, I like her music)
- Cheesy 80's synthwave (like this:https://bartgraft.bandcamp.com/album/nineteen-eighty-five)

Now that I think about it, Lady Gaga is synth pop too. Can I say I have only 1 guilty pleasure?  ;)

94
Mixing/Mastering / Re: Dealing With Dynamics Between Song Sections
« on: March 06, 2016, 07:37:19 am »
And for automating volume, you may want to slap a gain plugin as the last insert on your layer, and automate that instead of faders. That way you avoid some headaches when mixing down.

Best advice someone can give you.

Compression can't do that much without altering the sound of the loud parts. It's volume automation you are looking for.

95
It's not the hiss that bothers me in this example but there is an annoying hum already clearly hearable in the beginning of the sample.

I hope you didn't pay for this bad sample.

96
Mixing/Mastering / Re: Parallel Compression and Phase Issues
« on: March 05, 2016, 10:26:28 pm »
I use parallel compression lots of times in Reaper, never had phase issues.

There are also a lot of compressors with a dry/wet knob. And with FL studio, you can mix each effect in the mixer track with the dry sound, so you can parallel process any vst effect you like. I guess almost every DAW can do this.

97
Not an easy one.

You have to filter out the messages in the feedback which will be helpful to you.

Feedback is a personal opinion and sometimes it doesn't fit your idea about your music, so you don't have to do anything with that.


98
Composition/Arrangement/Theory / Re: Drum Programming
« on: February 27, 2016, 09:30:13 am »
Listen to Aphex Twin,Squarepusher,Venetian Snares,Autechre,Xanopticon.

But the problem is, that listening to them, won't learn you how to do it yourself.

99
Composition/Arrangement/Theory / Re: Creating Ambient Elements
« on: February 27, 2016, 09:28:28 am »
I do precess the hell out of it, yes, but without bouncing first.

To me, but that's just a personal taste, ambient sounds shouldn't be 'dry'. Tons of delays and reverbs on them and usually I use more wet then dry sounds, sometimes I use 100% wet sound, leaving me only with the reverb and delay itself.

Valhalla's Shimmer and Audio Damage's DrDevice are my goto ambient fx:

Shimmer:

https://valhalladsp.com/shop/reverb/valhalla-shimmer/
https://www.youtube.com/watch?v=dARG536f3FI

DrDevice:

https://www.audiodamage.com/effects/product.php?pid=AD014
https://www.youtube.com/watch?v=DHs7W6gasjA

100
Composition/Arrangement/Theory / Re: The most important thing (rant)
« on: February 27, 2016, 09:10:56 am »
Quote
If you are reading this and happen to fall within the category of people


People who create melodies with clashing tones, don't know they do it, because if they knew it, they wouldn't do it. 8) It sounds good to them.

So your appeal to these people is useless because nobody thinks about themselves they belong to this category. I never met anyone who says 'Hey, I write clashing melodies'. They just are unaware.

It's like doing an appeal to all 'dumb' people. Nobody thinks about him/herself as being stupid. So nobody thinks the appeal is addressed to them.

Quote
Music is at a sad state these days.

I disagree. In the 80's and 90's, costs of making music where very high and only pro musicians dived into a studio to create music.

Nowadays, every kid with a laptop or tablet can create music with some cracked software. So yeah, there's lots more bad music around than 20 or 30 years ago.

I'm sure there is some great music available that you like, if you dig deep enough. People who say music isn't what it used to be, just don't take enough time to find the music they like. Or maybe they don't know where to search.

I do understand your rant, I encounter lots of bad music myself. But no rant in the world will change a thing about this. If you think you can change the world into a place without bad music, well, you simply can't.

What we can do, is change our own behaviour. When I encounter bad music, I can do 2 things, complain about it, waste my energy on complaining or I can move on and use the same energy to find the music I like and put my time in enjoying that music.

I'm an old skool guy, I even still buy cd's. I grew up in the 80's and 90's. But I don't want to return to the pre bandcamp/facebook groups times. I now have access to artists I wouldn't have had heard about in the old days. The fact I can discover so much more artists nowadays is a joy to me and it doesn't give me the feeling that music is in a sad state. Music business is in a bad state, yes. People can't earn their money like they did 20 years ago. But that's another discussion.

More access is more crap, I agree, but we have to live with that. Time to move on.

And we shouldn't forget that lots of people who create this bad music, have fun doing it and music should be about fun, right? Good for them!! And if I don't enjoy their music, I just move on.

Peace

101
Mixing/Mastering / Re: Loudness metering
« on: February 26, 2016, 01:53:44 pm »
Damn, all these meters are pricy?

Isn't there a freeware (64-bit) option?

EDIT:

I found these, thanks to kvr, not tested myself:

http://www.tb-software.com/TBProAudio/dpmeter.html
http://www.mzuther.de/en/software/trakmeter/
https://www.audiocation.de/en/plugin (AC-R128 plugin)

102
Mixing/Mastering / Re: Loudness metering
« on: February 26, 2016, 07:28:19 am »
Thanks, can you normalize it to other reference points?

No.

103
Mixing/Mastering / Re: Antiphase....?
« on: February 25, 2016, 07:34:50 am »
Here are 3 nice videos about phase:

https://www.youtube.com/watch?v=_N0ER4A73QE

https://www.youtube.com/watch?v=W0y8RTweE7c

https://www.youtube.com/watch?v=bWB5PSoV2I0

Although the first video explains it by means of recording mics, it's not limited to that stage. phasing or phase problems can occur when you doubling sounds and pan them, or in the mixing stage (overlap of bass and kick, for example).

104
Mixing/Mastering / Re: Loudness metering
« on: February 25, 2016, 07:24:54 am »
Hey,

It's great to start a topic about this, I virtually don't know much about it.

I found this site though, it explains a lot:

http://www.r128audio.com/

I never encountered music that's mastered @ -23 LUFS but that's probably because it's a system for broadcasting, not mastering.

I bought this plugin (Hornet ELM128) and it can normalize your music to -23 LUFS and believe me, music that's normalized that way is almost inaudible in comparison to music that isn't normalized. But it's a great tool to compare different songs at the same loudness. Great to compare a mix and a master of the same song to each other, for example.

http://www.hornetplugins.com/plugins/hornet-elm128/


105
Mixing/Mastering / Re: Survey about Music production Tools
« on: February 13, 2016, 10:14:12 pm »
Done!!

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