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Messages - Midge

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16
Mixing/Mastering / Re: Masterbus Frequency Cuts
« on: May 21, 2016, 03:20:06 pm »
it subjective I guess.

the lowcut of around 20 - 30hz is because producing in a bedroom you don't know what is going on down here - your speakers / space will not give an accurate representation and also humans cant really hear below 20hz - a lot below 30hz depending on ones hearing. the only time you will ever feel these sub frequencies is on huge systems.

The high cut personally I do between 18Khz and 20Khz just to get rid of the super super sharp sounds up the top end. This cutoff point is subjective again because everyone hears different but anything from say 18Khz and up is really sharp to the ear and you have to decide if the range is actually adding anything. Information this high up the spectrum can often be more of an annoyance than actually sonically adding anything to your track.

there is no set points that you 'should' be cutting but it gives a good guideline.

17
all you will ever need: 
https://www.youtube.com/channel/UCpzgTNTgQsR9YYsyOm3k3KQ


As a music producer (don't know what you produce) but if its some sort of dance music - this isn't Mozart type shit. Learn the basics; scales, some chord structures etc and you are away.  Some of the biggest names in the industry confess to not having a clue about music theory - just basic stuff. Examples: Prydz or Deadmau5.

anyway that guy has uploaded loads of free music theory videos, piano playing videos etc.  There is absolutely no need to go do a course on music theory - unless you want to say...learn an instrument. Get the basics down and its literally all you need to 'produce' music. Yes being a musical genius in theory will help you massively, however; you do not NEED to know it.

18
Finished Tracks / The Fire Of Your Soul - Progressive House
« on: May 02, 2016, 09:43:18 am »
Hello gang!!

I made this track which is a bit of a change from what I normally make. I usually make progressive music but more club focused stuff. This is slightly more 'song' focused - with regards to the vocals and lyrics. For that reason I released it independently rather than put it out on beatport or the labels I normally release on.   



It is actually available to download for 50p via my Bandcamp page:

https://midgeofficial.bandcamp.com/track/the-fire-of-your-soul-vocal-mix-feat-incanta



19
try pitch shifting your vocal. Or use an Auto tune plugin.
I generally check the key of my vocals with something like mixed in key. It is a bit of a pain in the arse pitching vocals to an instrumental so it helps if you have a talented vocalist. But if you are using an out of key vocal then you need to pitch it and use an auto tune plug in! - but not too aggressively or your vocal will sound like t-pain lol 

20
Mixing/Mastering / Re: Layering Kicks - Tips
« on: April 12, 2016, 07:59:45 pm »
i wrote a blog post about this ageeees ago you may find useful. Well It isn't edited so there are some gaps and mistakes in there but the informational stuff should still be there:
http://www.midgeofficial.com/blog/the-all-important-kick-drum


21
Everything always comes back to house and Techno!!!


I see (or hear) that there are still loads of 'tropical house' tracks flying about on the radio. I heard 'fast car', an ed sheeran song with a tropical remix and a fucking show me love tropical remix all within about 10 minutes on the radio!

I'm personally hoping for a resurgence in progressive house. Real progressive house not this 'EDM' stuff that claims to be progressive house but probably wont happen.  As said above - whatever the big artists make generally means a thousand copy cats follow it. Didn't zed just make a flume type track? So that must be the 'in' thing no?

22
And absolutely anything by Andre Sobota!!!  That guy is a magician!

23
Deadmau5 always nails the progressions pretty sweet.
And ya man Eric Prydz - his progressions are simple but he builds them perfectly and his counter basslines just form epicness.  Pretty sweet since both of them have no classical training.
Jeremy Olander's tracks have very nice progressions as well. A lot of subtle changes in his melodies that just work magic!




24
Finished Tracks / Re: Dimensions (Original mix)
« on: March 25, 2016, 10:16:31 am »
thanks for the replies guys!
yeh I don't really produce stuff of this style very often so wasn't sure on it! Might look at getting some vocals in there.

Thanks Fellas.


25
Finished Tracks / Dimensions (Original mix)
« on: March 24, 2016, 06:37:14 pm »
Hello Guys,

I just cant make my mind up on this one! I usually stick to progressive / techno type tracks but I do have a house alias also. What are peoples thoughts on this one?

https://soundcloud.com/tjmidge/midge-dimensions-original-mix/s-q4n7d

its completely different to what I normally produce.


26
Samples/Plugins/Software/Gear / Re: ADAM A7X vs Dynaudio BM6 MKIII
« on: March 24, 2016, 12:05:49 pm »
I listened to the adams in the shop and they were bang on!!! 

didn't have them in stock at the time though so I was depressed!!

Definitely next set of monitors I buy for sure.


27
Mixing/Mastering / Re: Sidechain using Volume Shaper
« on: March 24, 2016, 12:04:43 pm »
I tend to do this as well. Either kickstart, LFO Tool or just simple volume automations / Velocity changes.

Why?
For me, I don't like to over compress. So within a project I may have: compressors on single inserts, compressors on groups of tracks, multiband compressors, other dynamics plugins & limiters and then compressors on the master - so everywhere is seeing a reduction in dynamic range and being compressed, therefore; since I am doing my compression elsewhere I don't also want my sidechain tool compressing the signal - for me it helps retain a little bit of dynamic range in your project. So in essence you are pulling a volume fader down and back up rather than squashing your actual source sound.
works for me.
That and these volume shaper plugins are super fast and easy to use.


28
Samples/Plugins/Software/Gear / Re: Mono Maker/Stereo Widener plug in
« on: March 16, 2016, 12:11:36 pm »
Izotopes Stereo imager -  pretty amazing plugin. You can split your frequency bands wherever you like and make your signal narrower or wider for each frequency band. It will also show you I you are keeping in phase and you can solo each band to see the effect.

TP Basslane - great for something like basslines - you basically set your cutoff point then everything under that cutoff point will be sent to mono. So there is no need to split your basses and send them to different channels just slap on a basslane and send your subs to mono.

Sonalksis Stereo tools - Good from 'spreading' sounds. I might use this on something like my hats or percussion buss to slightly spread out the upper mids and high frequencies.


29
I think ive got bored of every fucking track ive ever made haha!

listen to them so much and so many tweaks  - when you think you have finished and you listen back - nopeeee more tweaking!!! 


30
also open your projects in your 'extended memory'.exe      -  it may be called something different in 12 but there is always a version of FL in your image-line programs folder that is equipped with a few extra gig of memory.


-----also make sure your laptops plugged into the power source ;) haha - if its anything like mine if I don't have it plugged in I get the same!

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