separate it in a new track and control it with the volume fader and EQ.


Also, not sure what you're trying to get out of it, given your description.

how many supersaws r u layering? 4-5??

Yes

Quote from: vinceasot on September 29, 2016, 02:33:07 am

how many supersaws r u layering? 4-5??

Yes

i dont think its a good idea to layer 4-5 supersaws, i think you meant leads
with the white noise trick, you need a certain type of chord progression, and have it in the bass note of your chords

When layering supersaws or any synths in fact its pretty important that you make sure that you have a reason for every layer. If you have 4 or 5 layers of supersaws that are all taking up the same frequency range, it's going to possibly mud up the mix and have less dynamics. Voicing is super important in this.

On terms of white noise, something I like doing is either band or highpassing the actual white noise in its own channel. (this gives you a lot of control over what frequencies you're hitting as well as how loud the frequencies are going to be)

If you really want white noise that cuts through your mix, try having less (NOT NONE) volume coming from the super saws in around 15khz+ range. If you get the mixing right, it will be just subtle enough that you'll be able to hear it while it still blends in with the other layerings as well.

Best of luck!

Try using different noise oscillators for the left and right channels, or just use stereo mode in Sylenth (with one noise osc, but don't forget to disable retrig).  Trying to make a mono noise wider may not give you the best results.  The right EQing is also very important but there's no universal formula as it all depends on your other layers.  You may want to try to let some lower frequencies pass through, it may help you glue your layers together.  Also using distortion/saturation on the white noise layer may help it cut through the mix.  BTW, 4-5 layers is pretty standard for those Anjuna/Enhanced style supersaws.  I've actually seen more (up to 8 ), and with clever mixing it sounds awesome.

Why not make a single cut of its layers of super saw arriving only 14800 Hz and white noise, add it from the 15000 hz up to 16000 hz which is the audible range, apply a compressor multiband to white noise and adjust volume to ensure its place in the mix of all the remaining synths 
I hope that my friend works for you, try it can be the difference

You're reaching the upper limits of hearing to some people if you're low cutting your white noise at that level.

And it won't really add that much.

You can get a nice blend between the two if you give the white noise less of a low cut and the super saws more of a high cut.

the unwanted and wanted frequencies will blend in better, especially if you're adjusting the volume of the layers appropriately (bias towards what's important to give you a better sum from the sources).

If you're to controlling in your approach, you don't really have a whole lot of nuanced character that often times makes up the sound.

But, that's a tricky subject to consider with EQ and popular EDM genres, because it certain things do sound controlled and tight to get that visceral feeling and clarity.