Honestly.. The best thing to do is compare to a similar-ish professional track. I mean, the mix may sound good to you, but once you compare it to something professional, you start to realise exactly how your track can be improved.

YouTube tutorials aren't usually great. I've been producing now for a year and a half, and I have only really made about two or three okay tracks, most of which are unfinished. The best track I've made, (unreleased) is incomparable to most of my inspirations. You've been doing it for a year, you seem pretty dedicated. Keep remaking tracks, maybe work for a few minutes on the sound design, then laser focus on the mix. You'll get there eventually, maybe even sooner than you expect. I was making kind of bad tracks six months ago, then in the last six months I started improving, mostly on my mixdowns. You can do it, you're getting there.

Honestly your mixing is pretty good. You're much better off than I am.

@Mushroomizer I will start doing that thank you for the heads up!

@Shew, I have KRK Rokit 6's and for headphones are the Pioneer HDJ-500's. That was what I could afford with my budget.

@Polymetric it's good knowing there is hope. I have had so many times I had wanted to give up but I never will, this is my dream and I will work hard till I get it. Thank you!

@Simon The watching videos part was me around the first 6 months, I have laid off on the videos for a while just practicing but I still don't get it. But the reference track option is a really good thing and I will try it out. Thank you for the tip!

@br305893 Thank you! I honestly still don't know when I have the perfect mix, like I can't recognize it.

What helped me heaps was a technique I call "band mixing".

To help you with it, you should download a free visual analyzer called SPAN which displays your frequency response on an X/Y graph. While the way your mix looks isn't as important as how it sounds, a visualizer can help you diagnose potential issues in your mixdown quicker.
http://www.voxengo.com/productversioncheck/span/?version=2.4.1

I load up SPAN and an EQ plugin, then put my own track into my DAW next to another one, both going into the same mixer bus. I listen to the lows, mids, highs seperately and compare them to the other track (A/B) and try to find out the differences between what I am doing and what my reference track has going on. This can be a good way to develop a better ear and better understanding for what your mix should sound like at the end.

Another way to do it is to put a lowpass in at around 100 hz and to keep sweeping it up in small steps while A/Bing until you start noticing a difference in quality between your track and the reference track. You might notice weird peaks in your song (either audibly or visually in SPAN) that aren't there in the other one in the process, allowing you to diagnose potential problems. Also, sometimes when I'm clueless about why my track isn't flowing well, I'd do this only to find out everything was fine apart from the crashes and hihats.

Starting from the lowend and working your way up makes sense because the bass regions generally dont have as much going on as the mids and highs. As a result it becomes easier to compare them, and as you gradually move your lowpass up you can start focusing on each region of the spectrum on its own. Just remember that the level of one region affects your perception of another, so try not to focus on all the regions on their own too much. Instead make your changes in context with the rest of the mix. Most mix problems you can't figure out stem from the mids or highs and their dynamics, plus their relationship to each other and with the lowend.

Finally, keep in mind that every song is different, your record might call for a different mix than the reference track does. This technique can just help you analyze other mixes and take them apart to help you study good songs, but you'll still have to spend hours on your mixes to understand what really makes your music shine.

-v

One thing that helped me a ton was to learn the difference between "loudness" and "level".  You have to manage the loudness of your track with your ears and with a good meter (I use the Melda multi-analyzer but I think Ozone has one as well).  I spent too much time trying to keep my master under 0db thinking that was good mixing and then getting really thin mixes even with a peaking master.  The truth is that you want to have really consistent loudness in your track so that all the loudest parts are pretty similar and that the quieter parts are a pleasant counterpoint.  Some tools for that are obviously compression and make-up gain but you have to use those wisely and adjust them throughout the track-- don't just slap them on.  You can also start add or thin your musical elements to compensate for their relative loudness too.  Crank the synth when it's all by itself but back off when it sits with your kick,bass and arp.  Does that make any sense?

@Volant I just installed it (I am using FL Studio) I just fast scanned it and it is showing that it exits as "Span" however when I open my mixer "Span" is not apart of all the other plug-ins. Do you or anyone else no how to fix this?