Super wet reverbs are your friend.
Try placing a 75-100% wet reverb on your vocal track, or setting the reverb send pre-fader and keep the volume of your vocal track down.
Super wet reverbs are your friend.
Try placing a 75-100% wet reverb on your vocal track, or setting the reverb send pre-fader and keep the volume of your vocal track down.
Try using this technique on one snippet of your vocal looped. For example, an 'ooh' or an 'aah' looped throughout your drop very wet in the background can really fill out a mix and achieve the thing you mentioned.
Def trying these out. When you say set the reverb send pre fader and keep the volume of the vocals down, do you mean kind of like how you side chain the reverb effect to the vocals? Like how bass gets sidechained to a silent kick loop?
Is it better to create this effect by using a reverb send or by having reverb on the actual main bus as an effect?
What kind of reverb settings would I want for vocals? I know for percussion and hats it's better to have a shorter reverb, and longer for pads plucks etc.
What kind of reverb would vocals need? Would I just be playing around with vocal plate presets?
Are there specific vocal reverbs for emitting certain vocal emotions? Like would there be a certain type of reverb for a darker moody sounding vocals, vs another type of reverb for some hands in the air festival uplifting sappy vocals?
Thanks guys.