Author Topic: Ethics and Mechanics of Mastering Other People's Tracks  (Read 4881 times)

Erik_S

  • Subsonic
  • Posts: 12
  • Honor: 10
    • https://soundcloud.com/toyboattoyboat
    • eriksiegling
    • View Profile
Ethics and Mechanics of Mastering Other People's Tracks
« on: April 21, 2016, 05:25:59 am »
Like many of you, I don't just produce, but also dj.  In finding new music recently I came across a Drum&Bass remix I really love EXCEPT for the fact that there's a drum machine/bitcrushed snare that has waaaaaaaay too much presence in the mix.  I tried to eq it down in the mix (the harshest tone is right around the 10Khtz) but I run into issues of the mix getting too muffled like it has a Low Pass on it, or the snare is still too much.  I've also tried a sidchained compression to that frequency, but I might not know enough about compression to make it work right.  I also tried automating a duck in that frequency on the snare hits, but that didn't seem to take the snare out enough.  My question is, what have you done to prepare tracks with similar problems for your sets.  Is it ethical to take someone's song and remaster it for your own tastes?

Lydian

  • Mid
  • ***
  • Posts: 512
  • Honor: 107
  • Hi! I'm Danny! Let's talk production! :)
    • View Profile
Re: Ethics and Mechanics of Mastering Other People's Tracks
« Reply #1 on: April 21, 2016, 05:35:38 am »
Quote
Is it ethical to take someone's song and remaster it for your own tastes?
I don't think so. People do this all the time with EQing in iTunes or even in their own cars. Usually people are bass whores and boost the thing to +6 all the time.
A young 14 year old me with a really bad haircut. https://www.youtube.com/watch?v=5eMbftWV75w