From what I hear in that track, the snare is comprised of three layers:
1. A pretty dry sounding clap sample, probably just some stock 808 or 909 clap someone put in a sample pack.
2. The transient snare, which is probably a more traditional snare sample. Might be just a punchy noisy snare (if so you might not need the clap, but i think they're two different sounds). This also carries a bit of the body, which is where the faint "doof" under the louder tone can be heard.
3. The big tonal hit, which sounds like a pitched down glass hit or woodblock sound. A lot of future bass and post-Jack Ü trap is centered around layering very metallic tones underneath your snare, so experiment with pots and pans and bells and whatnot.
The actual sample sources themselves are honestly irrelevant. Chances are, you already have all the samples you need - and you can just get a bunch of metallic sounds from freesounds.org or something like that. Experiment, and see what happens!
I'm not the best sound designer when it comes to creating new drum samples, but
here's a quick little example based off what I just told you, and the snare is deconstructed
here.
