Author Topic: Panning  (Read 6648 times)

JackedSystem

  • Subsonic
  • Posts: 11
  • Honor: 0
    • https://soundcloud/jackedsystem
    • https://twitter.com/JackedSystem
    • View Profile
Panning
« on: February 04, 2016, 11:42:56 pm »
Ok so I've been taking a mixing course and the objective panning somewhat makes sense to be but I have this question. If you pan a track hard left or right, depending on what you tend to get as a result, should I make separate tracks and pan each to opposite sides? While listening to other songs I hear panning at times yet it seems odd to me that a sound only be heard from one hemisphere and not both. Even though as it seems the average listener's brain won't perceive that. What should I do to maximize panning within my mixes? Hard panning to either left or right or create separate tracks and pan them both to opposite sectors.

Marrow Machines

  • Mid
  • ***
  • Posts: 788
  • Honor: 101
  • Electronic Music
    • marrow-machines
    • MarrowMachines
    • View Profile
Re: Panning
« Reply #1 on: February 05, 2016, 12:51:34 am »
Try this.

It's only weird because you have not done any thing to balance out the sound.

You're only looking at it from the perspective of a single element. You need many components on counter acting each other at times to get a balanced mix.

What you're describing is basically summing the signal mono, unless you do something to alter the signal in a way.

See Haas effect.

If i hard pan left or right, i typically have it as a low volume or it's a time delay or a tonal difference and usually in opposite radial coordinates (i think that's right) than what the original signal is.

Check that link and look up haas effect though, it will help you understand how panning is perceived through volume, tonal, and distance differences.
Josh Huval: Honestly, the guys who are making good art are spending their time making it.

mixengineer

  • Subsonic
  • Posts: 10
  • Honor: 3
    • View Profile
Re: Panning
« Reply #2 on: February 05, 2016, 08:38:12 pm »
If you're using a stereo track then in most DAWs the panner acts as a balance between left/right channels.  If you want to pan a track within a stereo field then use a mono track and pan accordingly.

Marrow Machines

  • Mid
  • ***
  • Posts: 788
  • Honor: 101
  • Electronic Music
    • marrow-machines
    • MarrowMachines
    • View Profile
Re: Panning
« Reply #3 on: February 05, 2016, 11:09:29 pm »
If you're using a stereo track then in most DAWs the panner acts as a balance between left/right channels.  If you want to pan a track within a stereo field then use a mono track and pan accordingly.

You can also control the stereo width. Ill.Gates, suggested this in one tutorial, and it's come in handy many times.
Josh Huval: Honestly, the guys who are making good art are spending their time making it.

Nadav

  • Guest
Re: Panning
« Reply #4 on: February 12, 2016, 09:43:36 pm »
A hard pan left or right can be used for effect. Sometimes you WANT to make your audience stop and go "Whoa, what's going on?" It wakes them up a little.

I also agree with Marrow Machines, that it's good to use it on delays and tonal differences and so forth.

One reason you might want to send the "wet" to the opposite side as the "dry" is to mimic the effect of a distant echo off to one side, which some reptile part of your brain interprets as "I'm in a big wide place".