Nice lead pluck melody. Breakdown at 2:15 is properly cinematic, especially when the pianos come in but could be even bigger. Sounds like it could use a vocal top-line.

The pad at 1:31 comes in very weirdly. Maybe it's the way you mixed it, but I don't think it's an entirely effective way of segueing into the breakdown.

The supersaw at 3:50 sounds very thin and could use more layering and stereo widening.

It is well-produced in parts but compositionally is rather generic for my tastes. You need to find ways to separate it from the pack. If it was my song, one way I would improve it would be to add field recordings to the breakdown to root the track in a specific place, such as bird song, wind chimes, or thunderstorms. I find that adding organic elements to electronic compositions makes my tracks really stand out.