I dig it! I like how your Kick has a bit of stereo top to it. Sounds like reverb or something almost, but it doesn't sound muddy. I like the main synth line a lot, but it feels like it could be a bit more bright in some places. Maybe use distortion or saturation. Your percussion / hi hats seemed to have a strange groove at the beginning, but they sounded fine further along in the track. The end is nice and full, and it sounds great! Well done. Although I don't really listen to techno, but this is well produced! I posted a track in this topic just a bit ago, it's a few spots below yours.

Ok, I'll bite  - it's got that FUSE sound, certainly, and if you're strictly looking to nail that early / mid 90s Hawtin, you've more-or-less done so - there's space in the mix and the flow is good. However, if you're looking for it to be a more modern approach, more akin to his Orange or later Minus stuff, it needs to be shorter, tighter and compressed more to 'breathe' and flow.  Don't take it as criticism, as such though!

Regarding the 303 sound, personally I just had to go hardware in the end, albeit a x0xb0x, it's a sound you need to nail to have right effect. We did a remix with Phosycon, was OK but then redid it with the x0xb0x and it made all the difference. If you can get one, even borrow one, do it, so much better.  You can here what I mean here -

Best distortion plugin is a good question for the effects forum - the d16 I use is good though for distortion I prefer Soundtoys' Decapitator.

Thank you very much, ion.

The song doesn't contain a snare, it's percussion and lots of claps. I guess my next song will have a snare for some sharpness.

I'm not at my pc right now but I will review one of your songs this evening, promise!!

Of course I will!!

Thank you very much for your comments, Elixir, I appreciate your opinion, but I doubth that the high end is non existent. 



Maybe I should create a bell filter around 3-4 kHz?

Well this shit bangs hard. Love the panned 'sizzling' synths in the intro. Kick is like heavy as lead. Definitely feeling the Richie Hawtin vibes in this. Really love the imaging going on in the final third.

What could be nice in this is some distortion on the bass (a tiny amount) which is automated in. Like maybe some light bit reduction, or even a tiny amount of overdrive.