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Messages - Atherton

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Finished Tracks / Re: My "4" EP
« on: February 25, 2016, 12:53:44 am »
Really like the sound design and arrangement!

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Finished Tracks / Re: Mat Zo - Soul Food
« on: February 17, 2016, 11:01:29 pm »
Complete shit m8, please google "Ozone tips for beginners"

WHY CANT YOU MAKE A BETTER VERSION OF BIPOLAR!?!? ZOMG












Just kidding, This style is incredible. I'm blown away by the stereo placement. Everything is so clean, what kind of phaser did you use?


I have to agree with you on that stereo placement!

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Mixing/Mastering / Re: Mixing for crappy speakers
« on: February 17, 2016, 12:11:59 pm »
I went to Icon Collective right as Jauz was starting to blow up and I saw the dude producing on apple headphones all the time, and I know for a fact he did most of his mixing down on either apple headphones or his laptop speakers. Most of the people that are going to be listening to your music are either going to be listening to it on apple headphones or their laptop speakers anyways. Think about it. If your shit is bangin through laptop speakers and apple headphones, chances are it is going to sound pretty good on monitors. Just listen to your mix on as many different speakers as possible. I always listen to my music on my rokits, my laptop speakers, my apple headphones, AND my car stereo system. If it sounds good on all of them, that's when I know I'm set. trust me you don't need fancy studio monitors to get a clean mix down. When it comes to your low end, that's when a nice set of speakers come in handy, but if your car has a sub woofer and you know it pretty well you can definitely get by on just listening to your low end in your car

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Mixing/Mastering / Re: Snare/Clap Stereo?
« on: February 17, 2016, 12:00:09 pm »
Snares tend to be kept mostly mono for the most part. Although if you listen to someone like tennyson or anybody that does jazzy stuff sometimes snares will be panned to one side of the other. If you're looking for the crunchy kind of progressive deadmau5 clap then the key to that is shifting your claps and having them be in more of the stereo field definitely helps. If you tell me what kind of genre you're looking to do then I think I could help you a little bit more

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Sound Design / Re: I'm pretty sure this is super easy to make... Help?
« on: February 17, 2016, 04:32:25 am »
I mean in my opinion, you can spend a lot of time trying to make that EXACT sound and not be able to do it and just be frustrated, or you can dissect it to the point where you can do something super similar, just maybe not exact.

Honestly it sounds like a sample that just has a ton of reverb on it, sidechained to a ghost trigger with maybe a white noise layer thrown in there. Could just be a really bright reverb too with no white noise. If you were to get a saw wave, add an amp,  and just various types of distortion, and then just play around with some higher octaves, I'm sure you could sample it, make a kind of one shot with it, then add a ton of reverb to it and get a similar sound. Or just find a cool sample.

Sounds like he just found and or made a cool sample, threw some reverb on it, side chained it, and then called it a day. Hope that helps a little bit! maybe someone else on here will know exactly what that sound was!

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Mixing/Mastering / Re: Snare/Clap Stereo?
« on: February 17, 2016, 04:14:52 am »
Lately, I've been getting single claps, and putting one on the left side, and one on the right. moving them around 3-15 milliseconds before the kick, (sometimes I'll do one 3ms before the kick on the left side, and the other at 14ms before the kick on the right side, or vice versa) and then one more clap or snare mono, and maybe even another clap for the middle thats also got some stereo field to it. 

And a lot of the times when i pan the claps, I don't pan it 100% to the right and 100% to the left, I'll pan them 75% to the right and to the left. For example if you're working in ableton, 37L and 37R.

And I'll change it up here or there and just experiment with it. It all depends on your song, your samples, and just whatever mood you're in while you're writing. I will usually group them too and then apply some eq, and some saturation and compression just to kind of glue it all together. Of course this isn't a formula you should follow to the tee, you should always be experimenting and tinkering, this is just what I've been doing lately. Will probably be different a month from now  :) but for now it sounds good to me

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Mixing/Mastering / Mixing your tune as you go
« on: February 17, 2016, 04:01:11 am »
So I know there are a lot of people who swear by the process of segmenting their music making process into certain stages, i.e. sound designing, writing, arranging, mixing, etc., because to them it is a more efficient way of doing things.

For example, if you are writing music and trying to come up with a new song idea, it wouldn't be an efficient use of your time to try and get the mix sounding super tight as you're writing it because it will mess with your flow/ flow state. That I totally understand.

One of the things I tend to do though is after I have a solid idea down, and I start arranging it, my arranging process ends up kind of getting merged with my mixing process and I seem to do both of those at the same time. Does anybody do the same thing? I feel like throughout the whole writing process, I am intermittently mixing my track and kind of tightening it up as I go along. Not quite sure if it is Resistance in disguise and is actually slowing down my music making process, or if it is just part of my writing style and is kind of who I am as a producer. Could be all of the above!

Let me know if you guys go through something similar to this. Cheers!

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