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Messages - birdwork

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16
WIPs / Re: Wavey - Chill Vibes
« on: February 07, 2016, 09:33:16 pm »
I like the boomy kick, it sounds purposeful and full of character. I also like the composition, its got nice varations that fit together and keep me interested.

The amount of reverb on the hi-hat sticks out as kinda annoying. Maybe using a little less of the same reverb would fit the hi-hat in with the boomy kick.  I agree with Bertie that the snare could use a little more impact or low end to match your other big drums.

17
Ooh sweet, I love this plugin. The warp models work in the new 64-bit version for me too. (That used to be grayed out in my old version.)

18
Thanks guys. He can be an overbearing jerk at times, but he's still a good person with reasonable goals.

If he seeks your counsel that is, then you can gradually inform him of your experience as you grow together.

I like that. I don't have to come out with a big ego and brag about having a nice studio and experience. I can just point him in the right direction if he asks specifics. I'm sure I can learn something from a beginner too.

Yeah. I agree. If you like that guy, help him. If not, don't. Just don't troll him. That's not nice. You're in position it becomes a pretty entertaining option, but don't do it.

Haha, can I still laugh to myself when he's "mastered" compression shortly after discovering it? (He likes to pretend he's an expert.)

19
Inspiration/Creativity/Motivation / Re: Pointlessness and music
« on: February 07, 2016, 05:20:44 am »
I'm guessing you might have read it already, but I think you'd like Flow by Mihaly Csikszentmihalyi (sp?)

Watching the TED video from this author made me feel a little better. Not that I am new to the concept of flow, but partway through there is a graph showing flow only happens when adequately challenged.  The neverending challenge of music might be what keeps me hooked. The challenge itself can be an excellent purpose of this creative outlet.

I'll go ahead and feel some resolution with the simplified logic of happiness = flow = skill + challenge :)

Sounds like this is may be an existential question projected at music.

Right on. I'm working on a fun personal project related to my profession, (not music) and even though it's "pro quality", I'm running into the same question of asking what's the point. So it's not fair to pin squarely it on music just because music isn't food and shelter. More of an existential question possibly beyond the scope of this forum.

In other words, music isn't some island of pleasure in a sea of wretchedness for me; it's just one of many things I like doing but which isn't as important as most off those other things. Thus why I 1) often don't see the point and 2) feel the need to make extra-meaningful music if that's how I'm going to spend my time.

Same here, I feel like it's common on musician's forums to see people hating on their crappy jobs or lives, but I like my 9 to 5 and the rest of my life. There are other important things I could enjoy doing, but music is an entirely different world based on emotions that can't be quantified or analyzed (not exactly anyway). The challenge of making something that goes beyond normal reality (getting heady here) has a certain allure to it.

20
Inspiration/Creativity/Motivation / Re: Pointlessness and music
« on: February 06, 2016, 10:24:30 pm »
I'm troubled with this topic after years of making music as well. There are several other things I could do at a professional level and they would turn out great. Or I could make yet another semi-ok song that nobody cares about.

I don't think there's anything wrong with considering a creative outlet one of your priorities. Sure, some people seem content to live as passive, unthinking drones, but self-expression and mastery of skills are legitimate needs, at least if you consider personal happiness to be important (which it absolutely is).

I like the idea of music as being an important creative outlet.  I'd like to tie my music into my current emotions and experiences, so that it serves as sort of a diary, but I can never figure out how established artists seem to do this.  For example, I live in the woods, and a fog rolls in. How do I translate that into a synth? Or finish a song before the fog is gone? Is that something artists even try to do?

I am most inspired by the music I like, or maybe one of my synths. How is it good artists seem to be inspired by unrelated material? Maybe my life is too easy and uneventful for this idea to work.

21
Inspiration/Creativity/Motivation / Re: Admit your bad habits
« on: February 06, 2016, 09:21:17 pm »
Mine is the opposite problem- I'm too methodical and detail focused. I analyze the smallest details and lose track of the big picture.  It's especially bad when I work on headphones, I'll listen the next day with monitors and you can't even hear the details I spent hours on.

22
I have a very excited coworker who just bought Ableton with Push (he still pronounces it AH-bleton), and today he talked my ear off about everything he expects to do with it.

Meanwhile, I have been steadily making music for 6 years, so I'm well aware of Ableton's capabilities. He has no idea I work on music though. I already know we have different tastes in music, so I'm not sure there is any point in sharing with someone I'm required to work with.

What would you do? Nod politely while he tells me about "splicing" (read: slicing, hah), or engage in conversation?

23
Samples/Plugins/Software/Gear / Re: how do you get your kicks?
« on: January 31, 2016, 06:54:22 pm »
Thomas Penton sound pack for harder processed kicks, Robert Babicz sound pack for softer 808 analog kicks.

Better off just finding one good kick than wasting hours layering in my book. I might add a very very tiny top end sample sometimes.

24
Samples/Plugins/Software/Gear / Re: Fabfilter? What do you guys think?
« on: January 30, 2016, 09:16:48 pm »
The Fabfilter creative plugins (Timeless, Saturn, Volcano) have a real wow factor that made me buy them.  After a few months I sold them though. For me, there are just way too many options, and I drown in a sea of choice and endless tweaking.

25
You'll have really nice integration with Cubase with the UR22.  :)

26
Samples/Plugins/Software/Gear / Re: Scarlett 2i4 /6i6 + Analog Synth
« on: January 30, 2016, 09:07:43 pm »
You would use Midi Out on your interface to your Juno Midi In, to send it notes/arpeggios/etc.  You only need Midi Out on your Juno if you wanted to use it as a MIDI controller for softsynths.

Honestly most modern instruments use Midi over USB, so if you ever got newer analog synths in the future, you just need a USB port or hub. It's also possible to daisy chain together Midi cables, but I wouldn't even worry about it for now.

I'd probably go with the smaller Scarlett, especially if it doesn't need a power supply. I have a RME babyface (2 stock input channels powered via USB), and for a while I expanded it to 10 input channels via ADAT and I wasn't even using all those channels, so I sold the ADAT. I mean, my god, I can only play one synth at a time... I can't be a whole band at once. Its no big deal to unplug a synth and plug in a mic or whatever. Keep things simple.

27
I have Dynaudio BM5a, about $1000 USD.  I love them but honestly I've never used anything else.  My only complaint is everything sounds great on them... including a bad mix.

28
I love anything out on Erased Tapes, https://soundcloud.com/erasedtapes - its like new classical stuff with a touch of electronics in there. Anything from Ólafur Arnalds, Nils Frahm, Kiasmos

29
Inspiration/Creativity/Motivation / Re: Where are you from digitally?
« on: January 30, 2016, 08:23:55 pm »
Anjunabeats forum, KVR, before that... the old TranceAddict forums (back when Gareth Emery was GTR, haha)

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