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Messages - lyteside

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16
curious to hear "before & after" pieces from you!
Oh Geez.
Old:
4 of the oldest tracks I could find. All from around 2-3 years ago.
https://soundcloud.com/arrient/nitro-fun-dragonfly-arrient-remix/s-sH9f0
https://soundcloud.com/arrient/arrient-ghosts/s-Xj8YG
https://soundcloud.com/arrient/im-alive-arrient-remix/s-Nig4k
https://www.youtube.com/watch?v=tklVCf4xvDs

Some of my more recent tracks:

Here would be my favorite track Ive ever worked on:

Beautiful work! Great to see [hear] how far you've come. But also, just fantastic work regardless. Beautiful melodies and explorations :)

17
Mixing/Mastering / Re: Sticking to one main volume/pan position per track
« on: January 15, 2016, 09:14:26 pm »
^ Interesting. I figure it's something you have to be careful with because if you used it too often you would end up noticeably bumping the overall volume of your track. Thanks for the tip!

for sure. What gets crazy is that its not just sections that will get automated, but small phrases too (especially in the vocal world)!

Using parallel compressions is one way to automate volume without it getting too cray cray, since the volume your raising would come from a channel that's already pretty squashed (without a lot of dynamics fluctuating back n' forth).

18
Mixing/Mastering / Re: Sticking to one main volume/pan position per track
« on: January 15, 2016, 08:55:07 pm »
I always kind of assumed that you should only use pan and volume automation for effects and fade ins/outs. I figured doing otherwise messes with the balance of your mix. But I've never seen anybody say anything about this.

I was surprised to find that so many professionals use volume automation for vocals, guitars, drums, etc. on top of the standard compression and limiting techniques. Panning is a little less surprising, since I hear that quite a bit in music, especially in EDM (where a synth or arp is panned differently to accent it during certain parts).

Keep in mind that a song is linear and tells a story too. We're not talking about a 5 second loop here, but a movement over time, so these tricks are sometimes necessary.

19
I'm always trying to create nice, meaningful chords when I try to produce trance. It rarely happens, however.

Are there any tricks that you guys use? Anything worth sharing?

Thanks!

What is the story you want to convey in your song?

20
WIPs / Re: House/Disco/Funk Effort - Feedback on the Mix Needed
« on: January 14, 2016, 01:53:35 am »
Thanks so much for the feedback! definitely gonna take a look again at these guitars.

I agree that the vocals are untamed in their loudness too.

nice babes in the cover pic too!

ha, thanks! Those are actually the vocalists in the song - a duo called Booty Luv.

21
One day Ill probably look back at the music im writing now and ask the same questions. Look forward to that

:)

curious to hear "before & after" pieces from you!

22
Looking back on my old music is pretty rough and unsettling

Oh. My. Goodness. So true. lol

The trite lyrics. Horrid unbalanced tone. I can actually hear my unskilled self through the song. "Yep, definitely didn't know about compression very much in this song. (laugh)" "Ugh, why didn't i add a separate sub to this song?"

Then eventually I realize, that's okay. It's all a part of my journey of learning and growing. I'm resolved to not become like George Lucas, going back over and over again trying to re-invent my songs with new knowledge. I think there is something sweet and special about leaving those songs in their states, as a witness of how far I've come in my ability. Also... sometimes it's good to come back to those songs because every once in a while, a song still sounds good, and I think its because I didn't know more about what to do, so i didn't screw it up with over EQing, compression, effects, etc.


I'm working on a new album this year, and i hope to learn how to use my creative time better, so it takes me 2-3 years to complete (not 7 like the last one!). Also wanting to increase efficiency of my work flow. I'm even learning how to value myself enough to set boundaries & deadlines with other collaborators, so we can actually get things done (or move on).


Great post. Good to reflect...

23
Should it be ALWAYS in key?

Curious to know your opinion about this!

With EDM, should almost always be in key, but doesn't need to be in THE key. Its the dissonant fundamentals in the kicks that cause problems. So if your song is in the key of C, for instance, your kick can have a fundamental of something like a G note, and you'll get by just fine (unless your kick has long tails and/or creates your bass sound, or if a bass change will sound ugly with it).

That all being said, if you are intentionally breaking the rules to get add some angsty-ness, then sure... why not? :)

24
WIPs / Re: How should I add atmosphere into this track?
« on: January 14, 2016, 12:35:32 am »
I'm nervous about you just adding more reverb on channels, or pads, etc. I think I like the stabby in your face mix here.

What I would try next is some sort of stab sound with long reverb tails and sidechained, etc. that comes in every once in a while. This can add some more character and layering in there, without the whole song getting a wash of reverb, tone, noise, etc.

Try taking your second bass "fart" sound to complete mono, to contrast it with the first one in stereo (or do the opposite). I think you'll get some more texture and character that way too.

25
WIPs / Re: First WIP - Almost finished track
« on: January 13, 2016, 09:52:34 pm »
Heya,

So. Intro is cool, not much to say. Drums are not powerfull enough. They could be tighter and punchier. (Snare and kick especially) Main supersaws are weak to.

I have to agree, but only in the sense that the dynamics never intensify later on. The current mix would work up till about :30, but then it just seems you need some more fullness/richness in the kick or something. And some sparkle on the snare would benefit (and bring it up in volume, like everyone else said).

26
WIPs / House/Disco/Funk Effort - Feedback on the Mix Needed
« on: January 13, 2016, 09:46:15 pm »
I threw some of the vocals in, just to fill the space a little, but they haven't been processed terribly yet. Looking for some honest feedback on the tonal balance of the mix. Everything sounding even and full enough? After working on a mix for so long, its easy to miss things! :) Thanks in advance for your time.

https://soundcloud.com/delta-s/carnivale-bootyluv-justcherise/s-DkWg1

curious if I can get away with more volume on the wah guitar during that verse section too...

27
Sound Design / Re: Vocal processing techniques
« on: January 13, 2016, 09:26:07 pm »
it's all about multiple takes of the same phrases panned left and right for the natural phasing/chorusing, as said above! :) Even when they are turned down so you can barely hear them, it still does wonders for the widening

If you don't have multiple takes, you can simulate them by doubling up the tracks and stretching parts of the them in places (shrink some words, stretch out others, etc.) and then pan those versions left and right, making sure your consonants are synced up (so a little slice work is gonna be needed).

Also, have you checked your other instruments? It's possible that some other panned instruments aren't leaving enough room for your widened vocals.

28
Inspiration/Creativity/Motivation / Re: Working with vocalist?
« on: January 13, 2016, 08:38:39 pm »
Hey there, I feel like I may have some good input for ya since I'm a "new artist/producer"

~ Hope it helps.


Post some examples of your vocal songs! Can't wait to hear :)

29
Finished Tracks / Delta-S - Wings of Hope (feat. Genevieve)
« on: January 13, 2016, 08:25:45 am »
I recently reunited with my birth mother. It was a powerful experience, and inspired a whole album centered around a theme of longing for that reconnecting. I found out that she is musical just like me and has a beautiful voice! This is a song we collaborated on together - featuring both of our vocals :)


30
Inspiration/Creativity/Motivation / Re: Working with vocalist?
« on: January 13, 2016, 07:56:50 am »
I think the chemistry between you, the producer and the vocalist has work really well too so you both talk open about what you think is good or what needs improvement.

absolutely! So much depends on the chemistry and ability to communicate accurately ideas back n' forth. Sometimes an "okay" vocalist can become a great one with some confidence and clarity on the direction given.

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