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Messages - sparkleboss

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Use Splice. It's like Dropbox, but for DAWs. Plus you can see your arrangement on the website and have a catalogue of your previous versions.

I hadn't really thought of Splice as something that a solo Producer would use, but that's an interesting suggestion. I'll kick the tires on that and see how it goes. It looks like it probably doesn't sync presets and some other aspects of the library though?

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I use a symbolic directory link to move project, preset, and data folders to Google Drive.

Thanks! I tried doing this a while back w/ Dropbox and couldn't get it to work, but I should probably try again. Are the symlinks themselves in your Google Drive directory or in your Library directory? In other words, does Ableton follow a symlink to Google Drive, or does Google Drive follow a symlink to Ableton?

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Topic mostly says it all, here are some additional details. I use Macs, I currently save all of my Ableton Projects in a Dropbox folder, and that has worked OK.

But there is all this other content that I haven't solved sync for:
- Synth presets
- VSTs/AUs themselves
- Samples

So basically, how do you keep content that lives in the Ableton User Library in sync, and how do you keep your plug-ins in sync across multiple machines? I'm trying to be more efficient with my production this year, and spending less time on this sort of stuff seems like a win.

Thanks!

4
Thanks guys this is helpful. When you start with piano, do you have an intermediate step, that's like "this should be a growly bass, I'll use this for now, this should be a pluck" etc to try and flesh out what the overall sonic feel is going to be? Or do you just go through your parts one by one and design them to 90% of what they'll be?

I'm just trying to move faster. Write more, fail more, but learn more. I feel like I devolve into fiddling too easily :)

Kenny Troy, thanks for the shots of your sylenth presets.. I fully expect that the basic/generic stuff I seek is probably easiest to find in some very mainstream packs - and I'm alright with that. I'm just trying to learn, not actually release songs with LD_Tomorrowland :)

Thanks again. Any other suggestions are still appreciated. I'm really grateful for this forum. 

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TLDR: what do you have in your "good enough" library to sketch out your ideas without rat-holing on sound design?

Long version:
I've been working on production for almost a year, and I consistently get hung up in the same spot. I get an idea for a melody, or a drop in my head. When I go to sketch out the idea, I fire up Serum, and try to quickly pick a sound that will be good enough to keep working on my idea.

BUT I inevitably never find a preset that is close enough to what I have in mind, so I start trying to make that sound, rather than working on my idea. I love sound design and can spend hours trying things out, and learning Serum, but I don't feel like that's the most productive way for me to be spending my time. I feel like I should get the idea to where I really like it, and THEN go deep on sound design.

Do you have a toolbox of good-enough sounds that you use to sketch things out? Or a set of presets, or a synth that lends itself to that? maybe I haven't spent enough time with the Serum presets, but they seem to lean more towards esoteric demonstrations of the synth's capability (awesome! But not what I seek).

Thanks in advance for any ideas.

PS: This post sort of straddles sound design and composition, apologies if it's in the wrong spot.

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Sound Design / Re: The "How do I make this sound?" thread
« on: January 07, 2016, 04:02:32 pm »
I'm interested in vocal samples that pitch up (or down) within the one sample.

A recent and extreme example is the drop on Adele - Hello (Marshmello remix).

I've been just getting into monkeying around with vocal samples and pitch, but I haven't figured out how to change the pitch within one sample Maybe he's doing it with two overlapping samples? or maybe the original sample contained the pitch change?

Thanks!

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