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Messages - AshleysBrother

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1
Sound Design / Re: completely cutting out certain frequencies
« on: May 15, 2016, 11:23:50 pm »
You can do this with a linear phase EQ, but generally this should be avoided because there are quite a few issues that come up with linear phase EQs, the most obvious one being that they create quite a bit of latency on w/e sound you're EQing.

If you really want to try though, Ozone has the capacity to do this, and if you don't have ozone you can always do a quick "free linear phase eq vst", though i can't vouch for anything that comes up.

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Sound Design / Re: How can I "make" a Massive scream Filter
« on: May 15, 2016, 11:19:12 pm »
Always wanted to try this and I just did with ...less than perfect results.
Basically the scream effect is mimicking a resonant peak, only instead of putting the peak right at the cutoff, you can move the peak around relative to the cutoff. The extra peak created by the scream knob is also going under some fairly heavy distortion, and I think that distortion is only on the peak itself.

To recreate this in Serum, I simply whipped up a LPF on a standard saw, then went into the FX section, turned on the EQ and Distortion, then moved the distortion underneath the EQ. Choosing either band in the EQ, set it to peak mode, crank the gain, turn the Q to be around the middle, and then modulate the frequency of it with the same modulator as the cutoff for the LPF. After that, try something like Hard Clipper or Tube distortion and crank the drive.
The result is a little gimicky, and not quite the same, most likely due to the fact that the distortion is acting upon the whole sound, and also i think when i did it i just needed some tweaking to the actual modulation, but I believe that's pretty much the idea.

In all honesty, it's probably better to just use Massive whenever you need the sound of it's scream filter. You can always resample if need be, and I think to get the sound exactly the same would be way more effort than it's worth.

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Inspiration/Creativity/Motivation / Re: [TL;DR] Musicianship
« on: January 17, 2016, 11:34:38 am »
This is an issue I have been feeling pretty much since I first started listening to music.

I always thought that there was some objectively best piece of music, but I could never find it. I would ask everyone I could what their favorite song was, most of the time getting vague responses that weren't very confident, or getting really certain responses that I found just weird and not good sounding at all.

Then one day I found it.

If you care, the song is Soothsayer - Buckethead (https://www.youtube.com/watch?v=adV8-_hgL4g) and at the time it completely shook me. I could listen to it over and over and every single time it spoke to me more and more. I was really, really into fast guitar playing at the time so naturally the first thing that caught my attention was the solo, but even still, every single god damn second of the song hit me in all the right places.

So, naturally I decided I would proudly go start telling everyone I knew that I'd finally found it: the big one, the holy grail of all music.

People's reactions were not even close to what I expected. More than half of the people I'd tried showing it to either stopped listening within 2 minutes or actually asked me to change the song to something else. They just couldn't get into it, couldn't feel it.

I always just assumed it to be their loss, and continued listening to it all the time late at night alone in my room, analyzing it as hard as I possibly could.

Then way later (I mean literally years later) an interesting thing happened. I was hanging out with some friends and a couple people I had just met, all hotboxing a car together. We were all listening to some Biggie Smalls, when one of the people I'd just met suggested we start freestyling. I'd never even attempted it before, so unfortunately I sat in silence and observed as they played some beats and even songs with lyrics over top and just started rapping. It didn't matter if it made sense or even if they always kept the rhymes up, it was simply an incredibly fun activity to do whilst passing time smoking some pot.

There were a couple awkward moments where they tried to get me to start, and though I could slowly think of rhymes in my head, they simply couldn't come out of my mouth. So, being as I was a young aspiring producer I decided I'd play a couple songs I'd made to see if we could rap over them, after all I had tried emulating some hip hop in some of my songs. The result was a catastrophic "failure".

My songs were intended to be listened to very careful, alone, probably at night. Outside of this context, they simply did not work.

Embarrassed, I gave back the aux cord, and my friend played the song The Motto (you know, the Drake song that pretty much started YOLO back in the day). Obviously I'd heard the song too many times prior, but I'd never heard it in that specific context. Let me tell you something, in the context of four friends getting high in a car freestyling over other people's music, THAT SONG WORKED.

My point behind all of this incoherent rambling is this:

There are a great many different contexts for music to be presented in. What works incredibly well in one context will likely not work in another. The biggest reason why people tend to "not understand how people could like" a certain song is because they do not understand the context in which that song works.



You might not like hip-hop that overglorifies the use of drugs, oversexualizes women, and forcefully shoves the idea of an alpha male mindset, but what if you were that complete tool who really only wants music that makes them feel good and that says what their mind is thinking? They're listening for a different context than someone like you or I who wants to overanalyze the shit out of it and squeeze every amount of deeper meaning we can get.

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R&A Graveyard / Re: "Finished Tracks" Section Sucks rn
« on: January 15, 2016, 09:11:18 am »
I have a couple things to say, I'll try and split up my posts as they are kind of mutually exclusive.

First and foremost:

It is my personal opinion that trying to have these kinds of feedback threads DO NOT AND WILL NOT EVER WORK.
I find that in a lot of ways, it's kind of like /r/gonewild except for that there are no females and none of the guys are gay. Everyone wants to post their massive dick pic, but none of those people posting them want to look at other pictures of dicks. Maybe if they're like 17 inches long or some crazy shit but even then they just don't care.

IN MY OPINIONA better way to go about having producers give/get feedback is in a live context, much like the one we used to have over at plug.dj and now currently have at sharcu.be.
The idea is that everyone gets in line to play one song. When it's your turn, you play your song, everyone listens to it at the same time and can comment, and then when your one song is done, you go to the end of the line.

This way, you get real-time feedback, you can interact with the people giving you feedback, and there is an incredibly minimal amount of bullshit feedback.

Now, with that said, this doesn't really help our dilemma on this website, so I want to try and weigh in with my 2 cents about how we can try and improve it as a relatively small, tight-knit community of producers.

I believe the best way to get people to post feedback is to not allow someone to start a new thread in the feedback section unless they have posted a minimum of three comments in the feedback section. Shouldn't be terribly mind-boggling to code, and in order to fight shitty feedback (which is pretty much always going to be a thing), you require those comments to contain at least fifteen words.

Obviously this wouldn't completely remove spam (people could always just copy/paste a word ten times), but if it was compounded with a system where users could flag comments as spam, you could really keep spam at a minimum since it's very obvious when someone is insincere with ten words. To further streamline the process for mods, you could say that if 5 different people flag it as spam then it is automatically removed. I don't think 5 is too low of a number because really what motivation is there for someone to want to remove someone's comments?

5
WIPs / Re: Tron | Short Album WIP
« on: January 13, 2016, 09:06:17 am »
My overall impression is that of sort-of traditional tunes (like hymns, menuets, orchestral or even slightly jazzy stuff) rendered through the Dubstep Filter #4 Preset on the Make-EDM-O-Tron, so Tron is a good title perhaps ;)

...um thanks? I think ;)

6
Tough one, but I'd probably go with Savant - Sledgehammer.
The first song of his that got stuck in my head and boy am I happy that it did.
Close second with that one would be Melody Circus

https://www.youtube.com/watch?v=4224x8SCdww

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Sound Design / Re: Dubstep High-Pitched, Ringing/Whistling Synth
« on: January 08, 2016, 08:32:17 am »
Hey man, so I made this in 19 minutes. Should be what you're looking for
https://clyp.it/hjb2h2gh

The way that I made it is by using two sin waves.
One is a constant sub at the bottom, and the other one is like 5 octaves above it with modulation on it's pitch and volume.
Take both of these sounds and run them through heavy distortion and like chorusing and stuff and you get that sound.
Add some simple drums and overcompress the shit out of the master and you get that wonderful little loop =)

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Inspiration/Creativity/Motivation / Re: Why do you do it?
« on: January 07, 2016, 08:57:23 pm »
I think it's just really gratifying to have a piece of art you can call your own. Having a song which is personal to you and having some kind of emotional connection to a piece of music is a feeling you can't really get anywhere else in my opinion :)

That is a huge reason that's kept me going this whole time =)

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Inspiration/Creativity/Motivation / Why do you do it?
« on: January 07, 2016, 08:43:42 pm »
This might not necessarily be perfectly on topic for composition/arrangement/theory, but I figure this probably directly effects the choices you make during this process, and I didn't know where else to post it.

Why do you make what you make?

I want to know what makes all of you guys wake up every morning and go to your computer to start hammering away at your DAW. I've been running out of answers to this question myself lately, and I think it would be beneficial to hear what you have to say!

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Composition/Arrangement/Theory / Re: For new FL Studio users
« on: January 07, 2016, 07:12:37 pm »
Call me old fashioned, but I still use Fruity Mute 2 for this because IMO it's waaaaaaay cleaner than using Fruity Balance.
If you're using 12, Fruity Mute 2 probably disappeared for you which is a total shame IMO. You can still use it, you just have to find an older project file that has it in it and then flag it as a favorte AFAIK =/

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Composition/Arrangement/Theory / Re: Electronic music and Math
« on: January 07, 2016, 12:41:11 am »
Tbh, even though math is huge in terms of intervals, time signatures, harmonic analysis, synthesis (double so for additive), and even arrangement, I'd say that it really doesn't help you write better music hardly at all. An octave higher note is twice the frequency of the note before it. Great. Now go use that information to write better melodies. Doesn't really work lol

12
For me one of the best ways I avoid trying to sound too generic is by cutting out the use of a reference track and just making whatever I want.

Obviously this isn't super useful for someone still trying to nail their favorite sounds, but after a while I've gotten comfortable with knowing what I want, and when I feel like I'm not trying to sound like 1 2 or 3 other tracks, it frees me up to do much less typical things musically.

Then again, however, a lot of those songs never even make it to soundcloud because they're too weird...

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WIPs / Re: Smoke Filled Room Remix | Future Bass/trap?
« on: January 06, 2016, 09:48:12 pm »
Drop was fantastic, but the vocals felt labored. If that's you singing, I would try doing a more speak less breathy take and layer it quietly over top to make it more understandable. Still, good job :)

14
WIPs / Re: Botnek & I See MONSTAS - Deeper love (plk4&Astera Remix)
« on: January 06, 2016, 09:44:45 pm »
Excellent bass work boys. Really enjoyed your manipulation of the sub in the second drop. My biggest issue was your hats/other percs. They felt non-existent from being so quiet in the drops, and actually were non-existent outside the drops. Other than that though, I thought it was pretty good :)

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WIPs / Re: What are your thoughts of the mix?
« on: January 06, 2016, 09:34:24 pm »
Mix is good. Maybe a tad sub-heavy, could probably use some more reverb, but overall nothing terribly bad about it

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