Most of the time, it's not about how you process your kicks every time, as opposed to how your kick sounds with your specific track, which changes every time you create a new project. This in mind, you will make your kick sound different as you make the song, instead of making it a set sound and proceeding with the rest of the song afterward.

With enough processing you can get a Massive white noise LFO sound pretty good. I personally think massive is easier to use in this case, just turn off oscillators, turn on your white noise, turn the LFO to whatever ratio you want it in, put it in the white noise, and program the massive lowpass filter to the white noise too. With this, you can automate the filter and even bring in a macro which you could also automate to your liking (that's what I do.) That's basic, but with enough layers, reverb, eq, and other processing, you can make it sound really personalized and original! Personally, I like to mess around with Logic's EnVerb with this kind of stuff.

I must say, one of the producers that never seizes to amaze me is Feed Me. He never disappoints and his creative/technical skills (in my opinion) are rarely challenged in electronic music.