Show Posts

This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.


Topics - dcfuture

Pages: [1]
1
Mixing/Mastering / The thought process of mixing for EDM productions?
« on: September 01, 2016, 02:28:19 pm »
Hey guys, i'm currently reading a book on mixing, as I finished my first track ever from start to end (finally) and want to get my hands dirty already with the nitty gritty stuff.

I fully understand the process of mixing from a live bands standpoint. Get instruments in as raw as possible, it's usually all live recordings, so you gotta do your volume adjustments, panning, EQing. Getting everything blending right.

EDM, however, is not recorded live. You are making what you're hearing on the go, and thus are instantly applying things such as ducking, compression, EQing, reverb and delay effects. etc, on the go. Balancing volumes and also panning, all that jazz, because it shapes the way your song sounds and you're already hearing it live from the monitors. Am I right to assume that EDM is kind of mixed on the GO for a good 75% of it by the end of the track?

I'm sure there's a huge benefit to still sit down after a track is done and clean up the mix, find some inconsistencies, fix some EQing and volume automations, but as your EDM production is done, shouldn't the mixing be at least halfway there already?

I'm just trying to get into the understanding the mindset behind mixing, as from what I get it's just a lot of EQ, volume automation adjustements, and effects (effects often placed on your specific mix buses already because well it's an integral part of the sound design and effects you want the song to give out) and making sure it all sounds cohesive since EDM relies heavily on that to come out punching just right.

The book i'm reading talks clearly from a more live recording mixdown standpoint, and I just wanna know how to translate that into EDM and if my assumptions are correct about having our job done halfway already because of the very core way we produce our music.

Interested in hearing your thoughts about this :)

2
Hey guys, i've been having my fun dabbling into the very very basics of music production and I found myself hitting a block on my first tune I started out. I never quite sat down and figured out how tempo works when trying to write your own tracks. I've looked it up but I can't find any worthwhile information about what i'm going for here.

Here's the run down:

I hum my tune, I'm on beat, the 4x4 is easy for me because I'm a (self-unclassicaly trained pianist). I go by ear a lot, boom wrote my first loop. Ready to drops some kicks in the second loop annnnnnd what the hell oh shit i'm actually only at 7 bars?

So then I get into this awkward limbo...my track sounds good at 130bpm but the loop ends on a 7 bar... if I speed up the tempo then I have to lengthen the notes but how do I know at what tempo my scaled up into 8 bar needs to be so that it sounds the same as it did on 7 bars during 130bpm.

And that's where my brain has a meltdown. I'm such a by ear kind of guy that I never oversaw this happening. You guys have any tips, guides and or go to's you could give a noob so I can read up and learn how to well...figure out my actual tempo?

Pages: [1]