This is really fun! I'm giving it a listen on laptop speakers but it sounds like you put a lot of effort into this! There are a lot of great melodies and the atmosphere you create is very lush and spacious.

I'll give it another listen after I get some sleep, but I think you should be proud of what you did! I think in the future, you can look for ways to preview the dubstep elements earlier in the song, then for the dubstep drop have them work as some form of call and response with your chords - go watch Virtual Riot's streams on youtube where he makes Lunar to see what I mean.

Can't wait to hear your next tune!

I can definitely second anything from KiloHearts or Polyverse; absolutely some of my favorite plugins to work with come from these developers (fun fact - Polyvese is owned by Infected Mushroom, hence why they promote all their stuff!).

While not exactly underrated, VPROM is a secret weapon for a number of producers, including Mat Zo and Above & Beyond - it's a very authentic recreation of the Linndrum drum machine, which is perfect for house, trance, pop, etc.

Gonna sticky this because Pzychosis is awesome for doing this. I'm going to be contributing sounds for this sample pack a well, so if there's anything you're looking for from a TPF sample pack, definitely let us know!

There are two big things to consider when thinking about gain staging, particularly with regards to heavier genres like Dubstep, Trap, and Bass House -

First, a lot of these songs are mixed with a mastering chain already on, which influences how you level balance the various elements of your mix. Dubstep especially is a genre where Louder Is Better, and if you're mixing into an empty master channel you're just not getting the stylistic impression that can inform your decisions. If you just slap the Glue Compressor's "Mastering - Make It Loud" preset and a limiter with 3 to 6 dB of gain on your master channel before you do anything, you'll be able to get closer to that balance you're looking for. Then, when you're done you can just turn off your temporary mastering chain, use the Utility plugin's gain to adjust the master output so your highest peak is under 0 dB (or whatever reference level you wish to use; i use -3 to -6 but it's mostly irrelevant), and bounce your premaster for a more focused mastering job.

Second, a lot of these sounds are processed in such a way that they're already loud to begin with - both in terms of the samples used (Cymatics heavily saturates and compresses their samples, so there's less processing involved compared when you're using a more basic sample) and how they've distorted and compressed the synthesizers. There are a ton of different ways to go about it, but generally you want some form of compression (either on the individual sound or a group of sounds), some type of harmonic saturation (overdrive, saturation, distortion, etc), and a special place in the stereo field - through stereo imaging or simple panning.

Got this released last week on Devoid! Give it a listen, and download if you like!

If you want "Weird Trap Synths", you should stop thinking about things in terms of the synthesizer you're using, but rather the method of resampling you are using.

Some of these basses sound like FM8 patches that have been resampled and either cut up or played in a sampler, and your typical trap lead comes from taking a vocal, putting it into Simpler/Sampler/ESX24/Fruity Sampler/Whatever and messing with it. Remember that a lot of these songs are pre-Serum, so you don't always want to think about it in a post-Serum mindset.

Hey Billy! Sorry that things have been quiet, but sometimes that's how things are!

Regarding your question, there are ways to synthesize the sound but nothing very reliable or worth the effort. I think you should simply accept that to get good sounds, sometimes you're going to have to record them yourself or buy them from reputable sound effects library, like The Hollywood Edge.