Author Topic: How do you group your mix busses?  (Read 15110 times)

Ferio

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Re: How do you group your mix busses?
« Reply #15 on: April 07, 2016, 09:01:17 am »
It might work for you, it might work for you.

Here's mine
Drums,Bass,Leads,Effects and Fills, all being routed to a pre master channel.

those are my groups and i use them mostly for organization purposes (quick section mutes), and volume balance.

I find that, the more things you have to augment, the more you have to consider. I try to keep things bare bones and simple.

It's easy to get lost in detail.

Mine is pretty much like that.

- Drums/percussion
- Bass
- Leads/plucks
- Ambience/Pads/Strings
- Effects

Al routed to a pre-master and then the master.

If I just have a single instrument such as an Acid I work with inputs and not sends. Sends I just keep for the bigger (layered) stuff.

If I have ideas for some effect and it requires multiple channels to have that effect at the same time I can send those to another buss ( one before the pre-master ), but that stuff I do on the way. Basic template is what I wrote above.

FarleyCZ

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Re: How do you group your mix busses?
« Reply #16 on: April 07, 2016, 09:51:22 am »
Otherwise I only make a bus when I need to apply something like a filter on multiple instruments.
Yeah, I do it by this logic too.
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Marrow Machines

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Re: How do you group your mix busses?
« Reply #17 on: April 07, 2016, 01:24:44 pm »
^ good for you dude!

I'm also pretty unorganized... I usually make busses for sidechaining purposes, so often I have one for bass and one for "other stuff". Otherwise I only make a bus when I need to apply something like a filter on multiple instruments. But nowadays I also try to minimize the number of mixer tracks I work with, so all sound design happens in the synth or in Patcher.

Yea, A good portion of my sound design comes from reason's combinator. An alternative to that is the image line's patcher. I also think ableton's effect rack offers the same functionality, but that's at a glance.

The cool thing with reason's combinator is you can drop in the original mixing board and you have access to more parallel/buss channels before you get to the main mixer board. So you can do some pretty fun things with the routing, which is a personal favorite activity of mine.

To a point you make, I also try to put the least amount of tracks in my songs as well.

If you make the signal going into the mixer really rich and can control it, you don't really need a whole lot else to slap on it aside for more "aesthetic" effects on the sound to make it stand out a little more.
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