Author Topic: 4 part writing/species counterpoint in electronic music  (Read 19057 times)

fxbip

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Re: 4 part writing/species counterpoint in electronic music
« Reply #15 on: February 28, 2016, 07:57:43 am »
Haha definitively some baroque vibes going on, yeah harmonic minor can sound VERY weird in dance music.But.... this... sounds basically just like AMAZING VIDEO GAME MUSIC!!!
Just work for nintendo man!!!hahaha
:)

Sadly I'm past my days of analyzing baroque string quartets. xD It's so funny to listen to the music you made when you were first starting out and look at how far you've come.

I actually quite like the 3rd one.It could almost be use in a braindance,dnb track i think!(with some other synth presets of course)
Yeah ,i dont even have the first things i did because i would never finish anything!lol its forever lost in the void!
But i have some of the first tracks i made on some obscure soundcloud account,like this funny track:

Lydian

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Re: 4 part writing/species counterpoint in electronic music
« Reply #16 on: February 28, 2016, 08:22:47 am »
This sounds like an awesome bedtime lullaby xD I could definitely see this coming as a music preset on a baby crib. At least until the arrangement progresses. :P The 16th note sound has me wtfing though. I actually don't know wtf that is.  :D
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Arktopolis

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Re: 4 part writing/species counterpoint in electronic music
« Reply #17 on: March 01, 2016, 08:23:02 am »
Strict Counterpoint is not the universal music law!And thats coming from someone who absolutely LOVES to listen and writes counterpoint music,Bach,Fugues and stuff.

But nobody has ever claimed that, not even in the Baroque! It's just a pedagogic tool. Bach's fugues do not follow Strict Counterpoint.