Thanks guys,

I'll give them both a look - might either get the $50 one now or wait till I get paid and invest in the more expensive one.
I'm sort of a beginner so the $50 one might do for what I'm doing currently.

Cheers

there's other microphones that might be worth the investment while having versatility in function.

you might want to look into medium to small condenser mics, as they have many uses.

I'd also look into what type of micophone performs under certain scenarios when capturing audio.

the day of the birth, when we make the music. we become the lords of sound system.

Praise be the bass. Let the rumble resonate your boiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

Take careful considerations as to how your work flow will be, also consider that your work flow might evolve. The daws do have specifications about their primary purpose and use.

even though it's the same things, they are a little different and those nuances do have designed purpose.

i have faith that my sub will project given the particular frequency content that's already associated with the sub bass.

my biggest concern is accurately representing the sub bass frequency in relation to the audible content that is provided by the bass.


That being said, you can relatively have a sub bass at most keys, due to the fact that you're covering your overlap in the audible realm.

in order to get a more audible sub bass, it requires layers of distortion and or (one to a few) layers of audio that varies in waveform.

of course you should process the layers accordingly so that they fit as one cohesive element.


I also don't stray far from the F, G, C keys when writing music.

That's pretty cool.

What are some challenges involved with getting this thing to run efficiently and effectively?

my friend who is majoring in computer science told me about this particular product.

It seems really cool and extremely versatile.

i'd be interested to see if you can manage to make a fully modular synth out of this thing.

Maybe you could try to layer a bass you like, with a square/saw like synth. Then only distort that second bass slightly, or maybe don't even distort it at all.

the distortion adds audible content that would make it hard to hear on smaller speakers other wise.

https://www.facebook.com/DynaudioGroup/photos/a.254075897969470.60334.143166765727051/1285608808149502/?type=3&theater


This is also a good post to consider from dynaudio.